Tag Archives: Musicians

The Awesome Avenue of Asking


There is a Wonderful Biblical Principle that is Engaging, Encouraging & Empowering no matter what Your Worldview may be. Spoken by Jesus Christ in His Sermon on The Mount in Matthew 7: 7-8, He shares this Priceless Gem: “Ask, and it will be given to you; seek, and you will find; knock, and it will be opened to you. For everyone who asks receives, and the one who seeks finds, and to the one who knocks it will be opened.” A Deeper study into that passage of the Original Language reveals that Jesus is saying to Continue Asking, Continue Seeking and Continue Knocking! Persistence is the Key to Open The Door!

The Fear of Asking has stifled the Dreams of Millions! The Initial Preconceived Emotion of Rejection handicaps us from even picking up our bat to take a swing, let alone getting us to first base! The Problem is that we can be so overly (and needlessly) intimidated! The worst scenarios immediately into our minds and we instinctively begin to ostracize ourselves into the mire of what we believe Others will think of us! How Dare We Pursue Our Goals & Dreams! How Dare We Ask Them to Help Us?! Further, How Dare We Ask Them to Step Aside as We Garner More Territory!

Another Biblical Example that comes to mind is found in Numbers 13 when Moses sends out 12 spies to go into the land God had promised them and Ten of them returned scared witless, claiming “…We felt as small as grasshoppers, and that’s how we must have looked to them.” Only Joshua & Caleb had the stones to Move Forward and thus, only Joshua & Caleb Actually Entered into the Promised Land!

The Awesome Avenue of Asking is paved with Courage! To begin Gathering Nerve is found is the Ability to Get Over Yourself and just Start Making Requests!

Begin TODAY by Asking for Any & Everything You Can Think Of! It’s Perfectly OK to Start Small.

Ask A Co Worker for $0.75 cents and pay Him/Her back before the days end. Ask a Close Friend to Borrow $150 till Friday and Pocket It until then, paying them back promptly. The Joy is in simply getting started. The Next Time You’re in Your Favorite Store, Ask the Manager for a lower price on something that is clearly marked significantly higher and up the ante by having your money in plain site!

My First Point is, All They Can Say is NO!

I once walked into a Guitar Center asking for a Less Expensive Online Price of a certain Digital Recorder I wanted and the young, naive, prideful little Whatshisname refused me. So I kept my car in their parking lot and walked a few blocks to the Smaller, ‘Soon to be shut down by the Behemoth’ Music Store and Asked of them the same question. They obliged my request. I returned to GC with my New Unit and Receipt and Asked to Speak to the Manager, recounting my recent experience with his salesperson and my subsequent victory with his competitor. The Now Embarrassed Manager knew he had lost $200 trying to save $44.76 and had quite the conversation with his protégé. Perhaps that’s why they too may not be around long…

If You’re from New York or travel there much, You Soon Learn That EVERYTHING is Up for Negotiation! But Your Silence Guarantees You Will Never Have a Seat at The Table if You Don’t Ask!

My Second Point is All They Can Say To You Ultimately is NO and perhaps Sprinkle in a Few Expletives for Emphasis!!

I’m Learning to Ask for More Outrageous Things Consistently. I recall the Very First Time I asked an Extraordinary Price for My Band, SounDoctrine, to play a Gig and the Promoter said “Yes!” While immediately thinking I should have asked for at least $1000 more, I surmised that I’d never venture far from My Now New Standard Price ever again. Although this decision sometimes bites like a double edge sword, in that we hear a lot of Giant NOs, meaning we perform less, yet every time we do perform, we are playing more prestigious dates at better terms and conditions!

ASK for a Better Seat at that Swanky Restaurant! ASK to Be Upgraded to First Class For FREE! ASK to Speak to the Owner of the Company! ASK for an Opportunity to Open for That Artist or Better Yet to Headline The Event (They Will  Certainly Remember You!) ASK for Airplay on the Larger Stations! ASK for a Free Subscription! ASK for Your Post to be included in That Periodical! ASK for That Door To Be Opened and then ASK Again Next Week/Month/Year!

This Week, I’ve just asked a Core Member of a World Renown Group who will be playing our city this Friday (tomorrow) if I can interview them for This Blog. I have yet to hear a word from them and I just might receive another NO, but what if it becomes a YES?

So What Are YOU Asking For? What Incredible Opportunities are YOU Imagining Might Come to the Surface simply by gathering the grit to Open YOUR Mouth and Begin Inquiring?

My Third Point hinges on the scripture I began with as Jesus wraps up His thoughts on Asking. He says in verse 12: “So in everything, do to others what you would have them do to you, for this sums up the Law and the Prophets.” 

In Other Words, While You Are Rehearsing the Process of Asking, What Are You Preparing to Give, either to them directly or to Others whom May Ask of You so that the Law of Reciprocity may Flourish In You, Through You & Around You!

So Let’s Get To It!!

I’ve began a New Video Channel  to begin driving some of these and Other EntreMusicianal Points deeper into the subconscious of Us All.

I humbly Ask You to Watch, Like & Share this Content  with Your Fellow EMs and in turn I promise to continue to Progress & Develop Greater Programs of Dialogue, Resources and Avenues to Engage, Encourage & Empower!

Thank You for Taking the Time to Read These Words.

I was Listening to Azymuth‘s “Rapid Transit” On Vinyl while composing this blog.

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14 Absolute Guarantees You Will Never Be Called Back


Every EntreMusician has either had to Deal with a display of Unprofessionalism of Another Band/Team Member at One Time or Another. Some of us (Including Myself) have unfortunately brought such obnoxious behavior to the table and wondered why the thing fell apart, or moved on without you.

Below, I have included 14 Absolute Guarantees that You Will Never Be Called Back if You Possess these Obnoxious Characteristics!

1) Arrive Late.
2) Make Several Excuses for Your Tardiness. Justifiable or Not.
3) Be Unprepared.
4) Make At Least One Excuse for Why You Didn’t Learn the Tunes. Any Excuse Will Do. 
5) Show a General Disregard/Disrespect for the Person who Hired You. 
6) Arrive Inebriated or become so during the Gig. 

7) Develop & Maintain a Crappy Attitude that worsens throughout the Evening. 
8) Use tons of profanity, especially on stage, specifically on the Mic.
9) Ridicule Any or All Band Members Onstage from the Microphone. 
10) Bring a Spouse/Significant Other to the Gig and Argue with them throughout the evening. 
11) Return to the Bandstand Late for the 2nd/3rd Set. 

12), Openly Squinch, Laugh and/or Point at the Bass Player Every time She Hits a Wrong Note. 

13) Aggressively Offend Any or All Members of the Audience On or Offstage. Especially if they should Deserve it.

14) Place Your Talent  Above Your Unprofessionalism and try to Outdo Everyone Else on stage with Your Brilliant, Illustrious, Completely Longer than Necessary Solos, thinking that because Your Gift IS Brilliant and You Sound So Wonderful and Have the Whole House On Their Feet and Under Your Sway that the Entire Band & Bandleader will simply forget the other 13 Abominable Attributes You Bring to the Table and Beg You to Come Back Next Friday…In Fact, the Third Time You Pull This Stunt, The Audience will have caught on and will no longer provide the Energy and Attention You Seek.

Perhaps I Have Forgotten One or Two Things You Feel Should Be on This List.

If So, Please Enlighten Us By Commenting Below…

I was listening to Bernie Worrell‘s “All The Woo In the World” On Vinyl while posting this.

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Forget The Misses!!


At the time of this writing it’s safe to confess that I’ve blown it no less than 1752 times or more in 2017, with respect to my Personal, Professional and otherwise Preferential Decisions and there are still a few days left in this year! Obviously I am not proud of these missteps, which have hindered certain goals and advancement, yet I have long since Learned to Value the Lessons Every Blur & Blunder taught me. Each Chastisement has brought with it the understanding that I should not Extensively Linger on the Embarrassment, Shame or Guilt, but Appreciate the Gift of Another Opportunity to try again.

Once an Unexpected Bomb has Exploded, Our  very next moves as EntreMusicians should be to immediately Confess the Transgression(s), Ask Forgiveness, Seek Reconciliation and Move Forward, or more succinctly as Bishop David L. Thomas teaches, “When You Mess Up, Fess Up, then Get Up!”

Most Creatives, because we ‘feel’ so dynamically often experience difficulty overcoming our oversights. We tend to get stuck in the “shoulda, woulda, coulda’s” which further Delay Our Progress.

Mistakes & Miscalculations are Sure to Appear in the Upcoming Chapters of Our New Year, unless You are one of the New Robots being introduced into it. Unfortunately, a few of your Most Well Engineered Plans & Strategies May Not Perform as well as You’d Hoped, often Depending on Circumstances Outside of Your Control. Perhaps a Personal Misunderstanding Bangs a Huge Dent in an otherwise Vibrant Relationship, which as a result becomes irreparable. As long as You Know Deep Within Your Spirit that You were Not Malicious in Your Initiatives AND You have Taken the Sensitive, Appropriate Steps to try to Rebuild the Breach, albeit to no avail; You Must Move Along, Tears and All.

Remembering to Forget the Misses while Learning From Them is the Tightrope EMs are Destined to Walk. Don’t Get Stuck in the Mire. Make Adjustments. Tweak. Course Correct with Shoulders Back, Head Held High & Most Importantly, a Pure Heart. Once You’ve Sincerely Sought an Acquittal, Forgive Yourself!

A Wonderful Book, “Failing Forward” by esteemed Leadership Author, John Maxwell Goes Much Deeper and Helps the Healing! Enjoy!

I Wish You An Incredibly Prosperous, Blessed and Joyous New Year!

I was Listening to The Crusaders’ “Unsung Heroes” on Vinyl while writing this…

Grab a Copy of My Free E-Book “50 Engaging Ways to Transform Your Fans into Family” at  The EntreMusician.com

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Forget The Critic!!


Firstly, A Blessed & Joyous Christmas to Each & All!

Last We were Together (I’ve missed a few weeks) we suggested that since Every EntreMusician’s True Motive is to Compose His or Her Song completely from their Heart, Essence & Truth, then they Must  Adopt the Initiative to Forget The Hit!

Hit Songs Come and Go. Standards Transcend Generations. Smokey Robinson’s Great-Great Grandchildren should never be poor!

Today, we set forth a necessary secondary principal that urges you to abandon relying on The Critic to either Define You or Dictate to You What You Should or Must Sound Like to “Make It.”

While Garnering Great Reviews for Your Latest Project has its merits and You’d certainly want to see Favorable Appraisals of Your Work, You Don’t Want to Lean on the Analyst’s Voice or Pen to Guide You! I Learned This the Hard Way – Actually In Reverse – When SounDoctrine’s “INSPIRE” CD accumulated a ton of Wonderful Reviews, but little to no sales…and the total truth is, I had paid for None of Them! Somehow in trying to build upon the foundation we’d created with “ENDURANCE” while expanding our ‘commercial appeal’ I completely lost track of the Goal for the Glory.

I Certainly am NOT Hating on the many gracious Reviewers out there. I once was a Critic for a Jazz eMagazine and was blessed to be able to recommend a number of truly great Indie Artists. I did it out of the love for the music and was always respectful to follow any injurious comments I might’ve had with a note of encouragement. It came to the point where I would not review any material I felt I could not be kind toward, which began to denote bias on my part, so I quit. Many Reviewers share this struggle.

Your Purpose as an Artist Must be Grounded in Understanding that You Most Certainly Will collect Brutal Criticism from those who Don’t Know You, Understand You or are totally Unable to Envision Your Platform and it’s OK. Your Music is NOT for Them!

At the heart of the Christmas Story is a King, born in a filthy manger, who while going about Doing Good was for most of His Life was despised, hated and ultimately murdered by the critics of His day, brought forth through His Resurrection the Greatest Gift the world could ever receive; Eternal Life!

So Go For It!

Get My Free E Book at www.theentremusician.com and Join the Conversation brewing for 2018!

I’ve been in an Azymuth mood again, so while writing & posting this, I’ve been dropping all of their albums on the turntable!

Check Out their cover of Marvin’s “What’s Goin On”

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Forget The Hit!!


On & Offline there are No Shortage of Classes, Courses & Conferences which Advise, Train and Teach Formulas & Techniques for Crafting “HIT” Songs that ‘Stand Up’ to Industry Standards! Equally, there is a plethora of AI Software available which analyzes Million Sellers from the past 50 years and Recognizes the Keys, Characteristics, Structural Components and Chord Progressions for us to Copy & Duplicate Our Own Smash!

While Writing a Song that Everyone Loves, Admires, Appreciates and Will Buy in Droves is a Worthy Goal of any Songwriter, You can bet that the Core Motivation of a Smokey Robinson or Dianne Warren wasn’t the Immediate Hit (albeit it became the end result). They were seeking something deeper. Their Aim was Timeless & Transformative Compositions. Often, the Songsmith is Expressing his/her Emotion to just One Person, Bearing their Total Soul, only to discover that their Transparency is Universal.

For the EntreMusician who Writes their Own Material, the Primary Intent Must Be Truth.

Conveying Anything Less and Merely Imitating The Flavor of the Day may Cause a Current Splash, but often Short Circuits the Ripple Effect. Our Goal is to Create an Ardent Cult Following,  A Tribe, A Community or Family that Will Pursue Our Music, Learning Every Lyric and Lick regardless of Airplay or Anonymity.

James Taylor, Carly Simon, Kenny Loggins and Joni Mitchell have all written masterpieces that were never released as singles. Any Loyal Funkateer  sings along loudly to the most obscure PFunk Anthem. The Incredible Frankie Beverly has written some of the most enduring R&B Ballads on the planet for the last 40 years and as of this writing has Never Won a single Grammy! Yet His Legend Looms Large and His Melodies are Bone Deep.

Methodically Build Your Audience and Your Discography. Your Career Will Thank You, Even if It Creeps Along Slower than You’d Like. Treat Every Song Like the Masterpiece It Is. The Endurance You Secure will Sustain You Long After the One Hit Wonders have Vanished into Obscurity. Purpose Your Music to Transcend Generations.

This is Not to Say that as a Serious Composer You Shouldn’t Appropriately Work and Shop Your Songs to the Right Connections, Making Certain Each One  Addresses the Appropriate Level of Appeal – But, Never Mistake Hitmaking with Making a Lasting Impact!

Forget The Hit! Change a Life!

Download My Free E-Book: “50 Engaging Ways to Transform Your Fans into Family” at TheEntreMusician.com

I was listening to Con Funk Shun’sLove Shine” on Vinyl while posting this.

A Great Documentary to Check Out This Month is “Muscle Shoals

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30 Proven Psychological Prefixes for Producing Your 1st (or 1001st) Band


EntreMusician’s Note: These Tips Apply ONLY to Producing Bands Other than You Own (which are fraught with their own set of zany fortuities!) Equally, This Advice May Not Work on Singers who happen to Be Solo Artists. Countless Articles have been written on Producing Up & Coming Divas; None of Which are in Agreement…These have been written to Prepare Yourself Adequately Before the Project Begins!

  1. Pray or Drink Heavily Beforehand (According to Your System of Faith)
  2. Only Talk to The Leader(s) of The Band to Decipher & Determine Goals 
  3. Do a Thorough Inventory of The Band’s Gear
  4. Know Your Own Gear Inside and Out
  5. Prepare a Flowchart of Microphones You’ll Need for the Sessions
  6. Own / Upgrade to The Most Quality Pre Amp You Can Afford
  7. Get a Non-Refundable Deposit
  8. Spend Several Days Listening to The Band’s Demos (If They Exist)
  9. See Them Perform Live
  10. Look For The Real Leader of The Band as You Witness Power Struggles
  11. Spend a Pre-Production Day Getting Great, Natural Drum Sounds
  12. Go Do Likewise with the Bassist
  13. Prepare Comprehensive Track Sheets for the Entire Session
  14. Determine the Emotional / Mental Stability of the Lead Singer and Massage It
  15. Review Your Written Production Agreement. Keep It Handy
  16. Never, Ever Use Cheap Chords
  17. Discover The Weakest Players (They’ll Be Easy To Spot Even Before Picking Up Their Axe) And Loudly Encourage Them in Front of the Others
  18. Rehearse The Band for Three Days to Get Sketch Recordings. Keep Them, You May Need to Use Them Later for Almost Anything…
  19. Help The Guitarist Decide Which Four (4) of the 27 Guitars Brought to the Session will Actually Be Necessary
  20. Create EQ & Compression Presets for Each Instrument & Vocalist
  21. Talk With The Real Band Leader and the Person You Originally Talked To and Make Sure The $$$ is Secure
  22. Learn Several Techniques that Keep Bass Players Calm and Apply Them Accordingly
  23. Vacuum Your Studio Before & After Each Session
  24. Do More Praying (or Drinking), but Not In Front of The Band
  25. Keep Your Harmonizer / Auto Tuner Ready and Active At All Times
  26. Discuss Music Theory Often with The Keyboardist in Front of the Drummer (It Makes Them Hyper Sensitive and they Play Better) 
  27. Make Sure Your Fire Extinguisher(s) Work
  28. Keep Your Hard Drives De-fragged and Uncluttered
  29. Hone Your Mediation Skills between the Real Leader and the Person You Originally Talked To When They Begin to Argue Over Absolutely Everything, Including Who Will Pay You
  30. Make Plenty of Back Ups

I was listening to “Underneath The Colours” by INXS on Vinyl while posting this 

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Always In Writing

One of the Earliest and Most Critical Mistakes Any New EntreMusician tends to Make in this Business is Relying Upon Verbal Agreements.

It’s Easy to Do Because at This Stage You’re Extremely Excited that the Phone Even Rang!

And Before You Know It, Your Enthusiasm Gaining the Advantage, You’ve Locked in The Band, The Date and Invested Precious Time & Resources solely based upon what some Stranger (or Friend) Said she was going to pay you.

There’s already a degree of embarrassment because you nervously negotiated a price and most likely settled for less than Your Original Fee. So with the possibility of losing the entire gig dangling in your imagination, you choose to forego any further timidity and agree to most everything else.

You arrive on time, perform magnificently (of course), only to have the venue owner congratulate you on a wonderful show but with apologies that he didn’t sell enough tickets, drinks or secure the amount of sponsorship he was hoping to receive (which has absolutely nothing to do with you – unless you were not listening) so now he claims he can only pay you…

The very best way to avoid this type of robbery is to Always Place Your Agreement in Writing and Make Certain You place this important piece of conversation atop your discussion.

The All Important Question “And What is Your Budget for this Event?” will provide you all of the necessary information you’ll need before continuing “Please Email Your Agreement to…”

At this Point Either Two Significant Events Will Happen:
1. The Reputable Promoter will make sure they’ve spelled your email address properly and send you the requested document or perhaps ask you to send yours (more on that in a bit)

2. She will begin making several excuses about why she doesn’t use/have one or a Written Agreement, or begin to use those infamous words ‘trust me…’

It’s Vital that You begin to utilize a Written Agreement the moment you’ve formed your act. Even if only charge $50 for the night, get into the habit of using a contract!

If the club owner doesn’t have one, present one. If you don’t have one, create one or download one from http://www.theentremusician.com, and don’t forget the include asking for a 50% deposit!

Serious Venue Owners take you far more seriously when You Talk Terms of Agreement and are prepared to document them even if they are not prepared to present one. The offer itself adds major validation to your professionalism.

And Remember, That’s Exactly Who You Are!

Next Time, We Talk About Getting Paid BEFORE Your Performance!

Although I wasn’t listening to any music while composing this post, I going to be listening to Stevie All Month!

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The Twin Towers of Truth & Trust

Unfortunately, our Country and the World has recently had to endure the commemoration of the 15th Acknowledgement of the Atrocities which occurred on September 11th. Our Hearts continue to go out to the many families who’ve had to be reminded yet again – and embrace the pain of their magnificent losses.

Perhaps like You, Lori & I watched a significant number of documentaries that retold stories of Bravery, Heroism & Self Sacrifice in various moments of crisis. Interwoven within these tales were also a growing analysis of Skepticism, Controversy & Conspiracy which explain that we do not have All the Facts, nor have we indeed been told the Entire Truth concerning this Incredible Tragedy.

Amidst the Irony of these Painful Ceremonies is the blatant, crude and destructive political campaign season we find ourselves in, where it seems that the Twin Towers of Truth & Trust have likewise been destroyed, long before a plane – or a missile – crashed into the World Trade Center.

If We are forced to Choose, for the Highest Office in our Nation, between the One Who Lies the Least, it’s no wonder why America suffers from a Deficit of Reliability Worldwide- If & When Our Government Leaders, Present & Future are Unwilling to Stand On and Speak The Truth, then it’s clear why it may take decades, or longer, to rebuild the Tower of Trust.

Furthermore, if we as individuals find it difficult to Speak Truthfully, In Love, to our neighbors, next door, at work, in church, at the mall and/or online, we emaciate the right to accuse any leader of decimating the public trust.

Truth & Trust are Towers We Must Build Together.


I was listening to no music while writing this blog.

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Four Ways I Fall Into Autumn

“Bah Dee Yah, Say Do You Remember? Bah Dee Yah Dee Yah Dee Yah!”

September!!(for those not familiar with the classic Earth Wind & Fire anthem)

Parents are Delighted, Students Dreadfully Curious and Employees Everywhere Assemble to Swap Vacation Stories and their Sandals for Sweaters. As Autumn Dawns, Everyone Seems to Settle into a Greater Degree of Normalcy which soon Make Us Long for Careless Summers Once More.

EntreMusicians prepare to hunker down in various Studio Configurations. Some to Create & Collaborate. Others to Re-Design or Re-Define their Marketing Strategies. Several Summer Tour Ensembles will Break Apart in A Blaze of Entropy – Mostly caused by Laundry Issues or An Undisciplined  Drummer Keeping Better Time with the Keyboardist’s Girlfriend than he did on Stage!

Either way, there’s a Rhythm to September that EntreMusicians can sequence into a funky pattern of productivity. If you’re anything like me, I’ve adopted these Intentional Habits (read obsessions) that help me settle into a Quiet, Music Filled Winter.

1) RESET My Ideal Week.  Two years Ago, I adopted My Virtual Mentor, Michael Hyatt‘s suggestion to give Every Day A Name and a Theme for Efficiency & Effectiveness – For Example: Thursdays are Music Day (and Date Night with Lori), Fridays are for Meetings, Wednesday is reserved for Deeper Personal Bible Study and So On.

Generally, Summer takes on certain nuances that make for a looser grid and although I maintain my themes, not everything is so locked in. When September comes, I fine tune and tweak so my Habit Monster is Happy with me Again!

2) REVIEW & REMOVE: Certain Social Friends. I began this habit about Three Years Ago. It’s Time Consuming to Try to Appear Omnipresent, so I whittled down my Social Existence to Only Three Platforms: Facebook, LinkedIn & Twitter. I then began looking at who I actually wished to engage with, who posted more interesting topics I would benefit from and those whom I could literally recommend to another EntreMusician or Creativewho might need their expertise. Again, during the summer, I tend to invite – or get invited to spaces without actually during the research to see if I (or they) need to be a connection. I never take it personal either way, I just Review, Decide & Remove if Applicable.

This Summer, I Did Something So Stupid, It Truly Fits in Items #1 & #2! I made a Promise to Periscope Daily at 8:30PM and found myself either in places not suitable for video or lacking any valuable content important enough to share! Well I’m Done with that nonsense and since Facebook Live is Already My Platform, There is No further Reason to Scope!

3) READ:

I Primarily Digest Business/Leadership Books, but in Autumn, I Get My Creativity back in Check by Reading Autobiographies. Here Are A Few I’m Taking Off the Shelf this Fall:

No, The Last Dude is Not A Musician, but My Eldest Daughter Tejai bought if for my 50th Birthday, So I Need to Check It Out!

4) REFRESH My Unfinished Compositions. I Listen to Absolutely Everything I have Not Released and Many I Have, just to see if there’s another angle or if it’s truly Crapazoid! (Especially the Unfinished/Unreleased Stuff). In fact, there are about 15 songs I have been breathing new life into which are about 30+ years old! They are getting off the hard drive and out of the Studio with Different Musicians, Vocalists and Arrangements! It does my heart good that they’ll soon hit the street. But then there are the others…

So This is The Way I Fall Back Into Autumn. I would Love to Hear How You Handle the Change of Pace…Post Them on My Facebook Page

I was listening to John Klemmer‘s “Finesse” on Vinyl while composing this. A Great Way to Melt into Autumn!





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7 Reasons Why P-Funk is its Own Genre

Last week we explored 6 Reasons Why  Motown is its Own Genre and what EntreMusicians can learn from their stellar examples. Today we open up the can of Maggot Brains and uncover the stanky P-Funk that only continue to get stronger!

1) Crazy Wisdom. Both Words Aptly Apply to the visionary George Clinton who has been able to juggle Multiple Concepts, Rhythms, Personalities (as many as 60 simultaneous band members) & Record Labels and remain Active, Relevant and Viable at 75 Years Old.

Yes, he’s also equally endured Multiple Business Failures, Drug Use and Almost Inappropriate Everything, but just when you think he’s going to Lick His Wounds from a Rocking Chair, He’s Back On Stage, Leading the Charge for The Funk of it.

2) Uncanny Innovation. Early On, George surmised that the quickest way to get the attention P-Funk needed was to separate from the Motown Melting Pot and Trash the Suits and eschew Doo Wop after a few years of trying to fit in. Taking a cue from Hendrix, Clinton formed Funkadelic and put the guitars on the front burner. Enter Singers, Horns and the first Major Bass Line to be dominated by a Moog.

Experimentation took center stage as the band destroyed traditional ‘verse-hook-chorus-bridge’ composition and pursued The One, first and foremost, using whatever sounds were available and took studio production to extreme levels.

3) Comedic Cast of Characters. Every Member of P-Funk was a Star and George arranged for most everyone to Shine by creating multifarious acts within the band. From Eddie Hazel to Bernie, Bootsy, Glenn Goins, Gary Shider, Bigfoot, Catfish, Junie, Skeet, Fratengelo, The Brides, Horny Horns, Parlet, Blackbird, Hamp, Boogie, Fuzzy and On & On, You Cheered for Each and looked forward to their Contribution to the Funk.

George introduced Imaginary Characters into the dramedy which held as much (or more) court as their human bandmates. Dr. Funkenstein, Sir Nose (and Sir Nose, Jr.), Mr. Wiggles, Star Child, Sir Lollypop Man (alias The Long Haired Sucker), Casper & Bootzilla (who were actual aliases of Bootsy) extended the Imagination and Mythology of P-Funk.

It’s a little know fact that George’s production of The Red Hot Peppers’ Freaky Styley that truly put the rockers on the map. His offshoot groups like Jimmy G & The Tackheads, various guest appearances with artists like Xavier and Thomas Dolby and P-Funk’s long standing association with Prince help solidify their into the souls of Funkateers forever.

4) Expanding Narratives. Along with the creatures, real and imagined, are the vivid stories of a Chocolate City & its Vanilla Suburbs,an excursion through Downtown Bimini Road, the humiliation inflicted on Sir Noze utilizing the Bob Gun, the Essence of the Flashlight, the horror of America Eating its Young, Vietnam atrocities outlined in the Electric Spanking of War Babies, the sterile work ethic of the Children of Production in Dr Funkenstein’s laboratory and ultimately, the Landing of The Mothership continue to engage those new to the notion of Funkadelica.

5) Vital Visuality. Cementing the P-Funk Brand are the Neo-Psuedo, Part Comic Book/Part Novel Album Covers, designed by Pedro Bell and Overton Lloyd which carried over to the Chaotic Circus-like Concerts, where the clothing ranged from the Diaper Laden Shider to any number of Indians, Furry Space People, at least one Indistinguishable Animalistic Alien and a Sheet Wearing Clinton dominating the Stage.

6) Enchanting Motifs. Stopping the Show and shouting “Think…It Ain’t Illegal Yet!!” for 37 non-stop minutes reminded You of Where You Were and Why You Were There! “Gagagooga, gagagooga, gagagoogaga!” “Ha da da dee da hada hada da da!” “One Nation Under A Groove, Gettin’ Down Just For the Funk of It!” and countless chants uttered under the breath of bankers and executives in boardrooms, is foundational to the genius of P-Funk! You Can’t Help BUT Sing Along.

Equally Disturbing are the Infinite Infectious Bass Lines guaranteed to move ANY Head & Foot within 15 Feet! You Can NOT Resist (Even if You Don’t Particularly Appreciate the Song!) You Simply MUST Move! And With the Ever Present Spiraling Squigly Synth Lines Hypnotically Weaving Repetitive Motifs In & Out of the Groove, it’s Irresistible!

7) The One! Finally and Equally (if not most) Important is the P-Funk Approach to The One! Adapted from James Brown, who also accented the eagerly anticipated ‘3,’ P-Funk Stomped The One So Hard & Nasty, They Had to Write a Song About It! The One is the Nucleus of Every P-Funk Anthem.

A Famous George Clinton Chant is “It Would Be Ludicrous to Think We Are New To This, We Do Do This, This is What We Do!” Which is Precisely Why We’ve Been Diggin What’s Been Done for Decades and Why P-Funk is its Own Reward and remains in a Category of its Own!

I was Listening to George Clinton’s “R&B Skeletons in The Closet” while Composing this Blog.

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