Tag Archives: music production

EMOTIONAL PRODUCTION

emotional

The Approach to Music Production is just as Multidimensional as the stars in the heavens.

As I leaf through Rick Clark‘s over sized Mixing, Recording and Producing Techniques of the Pros,” it’s fascinating to explore the psyche of these Masterminds and Gauge their Approach. Obviously as One Not Yet Included in such a Stellar Institution of Greatness, albeit hopeful, I am Grateful for Every Opportunity to Produce Outstanding Songs by Serious Artists of Various Genre.

At the Genesis of Every Session, the Fundamental Framework I Build Upon is the Emotional Journey the Listener will traverse as the Song is Played. My Goal is ALWAYS to Reproduce the Exact Feelings of Joy, Anger, Sadness, Betrayal, Devotion, Militancy, Encouragement, Strength, Remorse, Warmth or Flavor the Songwriter(s) Intended to Convey. One Million Repeated Listenings of the Recording Must Evoke these Same Emotions, or I Have Failed, whether the song Sells One or One Hundred Thousand Copies.

I Perceive My Position in the Studio as Tour Guide, Ushering the Musicians, Arrangers, Vocalists & Engineers through an Expedition of Finding Moments. Every Chosen Person, Instrument, Sound, Note, Effect & Ambience will lend itself to the Nuance of Multiple Moments, Creating Symbiotic Memories that Outlast Lifetimes. Those are the Snapshots that Take Your Breath Away and Force You to Immediately Rewind the Song or a Section of the Tune to Allow Your Brain to Process What Your Heart Just Heard and then Begin Again.

Perhaps I am being melodramatic in My Interpretation, but I Offer No Apologies. Often Before Discussing DAWs, Plug Ins, Mic Techniques, Mixing & Mastering and the Usual Banter with Various Producers, I am Always Most Interested in the Range of Emotion sought after and how they wished to reveal them, even (especially) if they’ve chosen some Non Traditional or Outdated Means to Do So. In Berry Gordy‘s autobiography “To Be Loved,” he talks about how the Classic Motown Producers used to sit around the table and Vote On the Upcoming Release. Mr. Gordy stated the Main Question asked would be ‘If You Were Starving and Only Had Enough Money to By a Sandwich or This Record, What Would You Do? If the Vote was for the Song, They’d Release It! Hence the Company’s Enduring Legacy.

David Byrne confesses in his book “How Music Works” what most Producers already know. A “Tight” Recording or Performance has Nothing to do with Meter. It has Everything to do with The Groove! Singing or Playing in Front of or Behind the Beat or Harnessing a Vibe as Sloppy as Gravy Foaming Down a Mountain of Mashed Potatoes Feels as Wondrous as Classically Trained Precision if You’ve Channeled the Proper Emotions.

God Bless the Sacredness of Music Production and the Solace of a 3AM Session where the Sweat is Soaking Through the Walls…

Here are a Few Examples of Moments I’m Blessed to Have Captured:

Hermeneutics (SounDoctrine feat. Keith McKelley, Cliff Barnes, Derek Dixie & Paul Douds)

Meant2B (SounDoctrine feat. Keith McKelley, Stefano and Jazmine)

Source (SounDoctrine feat. Michaela Write)

Maranatha (SounDoctrine feat. John Thomas)

Stop On By (SounDoctrine feat. Eric Tyus)

I was Listening to “Elegant Gypsy” by Al Di Meola on Vinyl while composing this blog…full of Multiple Moments!

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Three Tiny Steps on The Tightrope of Time & Money

Everyone is Well Aware of the Two Most Important Commodities on Planet Earth.

Time & Money.

Both Can Be Wasted, Saved, Spent or Invested. Used Wisely, Each Possesses the Power to Obtain Greater Assets & Privileges and/or Provide Basic or More Luxurious Needs to the Few or Many. Frequently, Both Are Traded for the Other and Wisdom is Tested in How Well One Uses or Abuses Them.

EntreMusicians at Every Level Seem to be in Short Supply of Either. Walking The Narrow Tightrope of How to Utilize the Best of Both Pay Huge Dividends and Multiplies Our Successes Exponentially.

Although I Have Not Included any Hard Core Solutions to Our Conundrum, I have listed Three Tiny Scenarios that I have personally walked through in the hopes that they Motivate You to Think Through the Issues Before You Spend (Or Waste) Either Valuable Resource.

1) Music Lessons. Admittedly, I am the Worse Drummer I Know. Many Also Know This and Would Agree! I Hated Taking Drum Lessons in my youth and Now I’m Paying for My Embarrassment, When I Should’ve Paid for The Lessons…

I am a Far Better Songwriter & Producer, for which I also Didn’t Take Lessons, but Spent a Million Hours Developing My Craft, Buying & Blowing Up Gear and Listening, Listening, Listening to My Favorite Artists to Learn (read steal) Ideas from…Although there are Countless Conferences, Workshops & Seminars I could have shelled out for, which Others Attend & Swear by, I Believe My Time in the Basement was the Better Investment.

2) Buying Studio Time or Building Your Own Space. Purchasing Studio Time at a Reputable Place with a Knowledgeable Engineer is a Dream – When You Know Exactly What You Want, Have Thoroughly Prepared Your Music & Practiced Like Crazy! If None of Those Things Are in Place, You Might As Well Set Fire to Your Hard Earned Cash Right Doggone Now!

There are a few Compassionate Engineers and they usually have Small Digital Clocks next to their boards. If You See a Huge Round Audible Ticking Monster Hanging on the Wall Behind Their Chair and Two More in the Booth with a Blinking Count Down Mechanism, You had Better Gone to the ATM! If they happen to Hate Your Music, Well The Clock Theory Goes Out The Window with You & the Rest of Your Gear!

I’ve been Beyond Fortunate to Own several Tascam 4 & 8 Track Cassette Recorders in the Medieval Days of Home Recording, as well as Collaborating with Like Minded Musicians & Studio Owner/Engineers who were on their own quests to Learn & Grow. This saved Valuable Time and The Only Money Spent was on Better Gear (more on that soon).

3) Do I Really Need A Manager? No. Yes & No.

If You are Just Beginning, Embrace EntreMusicianship for All It’s Worth and Invest Your Time Learning Every Single Aspect of Managing You, Your Schedule, Your Band, Their Schedules. Make Every Phone Call. Send (and respond to) Every Text & Email. Learn Your Market and Learn How to Say “No Thank You!” when that Promised Exposure Only Benefits the Promoter/Club Owner. Become an Expert Negotiator!

As Your Band & Brand Grows, Spend the 5 to 8% on Loyal, albeit Inexperienced Managers willing to devote themselves exclusively to You and will work with you to decrease Your Blind Spots and Actually Help You Build Your Artistic Acumen. Professional Managers will definitely be worth the 10 to 15% but You Must Also Be Worth It To Them and the Way You Know That is NOT In The Way They Woo YOU, but what they have Proven to Have Done for Others! Still, You Should be Concerned about their Exclusivity to You and Not just another of the 16 acts on their agency roster.

The Most Efficient Way to Invest Time & Money at the Outset of Your Career is to Build A Team. This Includes An Attorney, An Accountant, A Social Media Director/Publicist and Your Own Hand Picked Manager/Booking Agent. Interview Each Carefully, Have A Ton Of Meetings, Individually & Collectively (Yes You May Have to Pay for Their Time). Make Sure They Understand Your Vision, Principles & Goals (Make Sure You Understand Them Too!), Iron Out Percentages on the Front End, with an Optional Earnings Elevator (i.e., The More You Earn Over Time as a Result of Everyone’s Efforts, Their Percentages Also Increase).

I Confess with Joy that this has been the Single Most Efficient Decision, which has helped me to endure even during the dark times or when SounDoctrine is Not on Stage or in the Studio. A Team helps Weather the Storms, Keeps The Vision Alive & Encourages You To Advance Ahead.

We’ll Discuss Three More Next Steps Next Week. Thanks for Taking the Time to Read This Blog! I Was Listening to The Crusaders’ “Images” on Vinyl while Writing & Posting here!

 

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My 5 Favorite Spaces

This Week I’m Dropping Five of My Favorite Resources & Tools I Regularly Rely On to Bring both Efficiency & Effectiveness to My EntreMusicianship. Through Several Years of Honing Creative & Productive Habits, I’ve Found These Spaces Work Best for Me. Although I Am Sure You Have a Toolbox of Your Own, Here’s My Five Faves:

REASON 9

Although I Also Employ Sonar Platinum, Vegas Pro 11, Sound Forge Pro 10 & Acid Pro 7 (For their Amazing Beat Mapper!) as Needed,  Reason has Long been My First Choice for Writing & Production. Reason is Completely Customizable & Intuitive and I’ve Never had a Need Reason Could Not Handle. It’s Fast, Powerful & Practical!

HOOTSUITE

The Efficacious EntreMusician’s Social Media Presence Must Be As Concise as it is Impactful. Hootsuite Allows Me to Schedule & Post Across All Platforms & Groups Seemlessly. Although the Paid Version Allows Limitless Engagement On Each Stream, I Chose My Three Most Popular Spaces to Post to and allowed the rest to remain Peripheral. Thank God I Have Michaela on My Team to Keep Me Consistent!   (Follow, Friend & Connect!!)

EVERNOTE

I Admit to Being just a Toddler on Evernote. There’s So Much To Learn & Do on this thing!

I Use It to Write Lyrics, Record Thoughts, File Dreams, Keep Key Contacts, Doodle, Design and Shape Stuff! I Love It’s Flexibility & Availability, No Matter What Device I Reach For! There is Also A Paid Version for Power Users.

THE INDIE BIBLE

The Best Way To Describe How I Use Indie Bible is as a Networking Platform, which I don’t believe was David Wimble’s purpose when he created it. I’m Happy to Say I was One of His First Customers. IB’s Main Purpose is to be the Premier Place for Indie Bands & Artists to Find Gigs, Radio Stations & Other Outlets to Showcase their Music – and Trust Me, It is a Wealth of Information. The challenge SounDoctrine faces is that we are in such a Tiny Genre, there aren’t too many places for us to Upload Our Originalternativefunkjazzfusion!” 

But IB is packed so full of resources, we utilize the Information as a Springboard to Help Other EntreMusicians, Most of Whom Reciprocate which Turns It Into A Major “Win-Win”

THE BUZZ FACTOR

Another Ocean of Invaluable Information is Bob Baker, whom Every EntreMusician MUST Check Out. I Cut My Teeth on his Ideas, Advice and Non-Traditional Suggestions. Bob’s Guerrilla Music Marketing Handbook Should Be On Your Bookshelf and His Blog Will Provide You With The Nutrition You Need To Soldier On!

I Truly Hope You Could Benefit from The Spaces I spend The Most Time On & Offline. I’d Be Ecstatic to Know Where You Hang Out & What You Use to Get The Job Done! So Reach Out and Let Us Know!

I Was Listening to Russell Donnellon’s incredible “Since You Asked” while writing this entry!

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Ask Yourself The Hard Question!

Let’s Pretend for A Moment…

Say You’ve Invented a Brand New Universal Tool. Its Purpose is to Be An Important, Indispensable Standard that People of All Races, Ethnicity and Cultures will Appreciate & Enjoy!

This Tool Can Be Used In Your Home, Business, Car, Place of Worship or On Your Mobile Device while You’re On The Go. You Know that People Are Going To Love & Appreciate It, Once they are Aware of its Availability  and Affordable Price.

You Own the Patent to this Tool and have Trademarked the Brand Name. Although You Do Not Own the Various Patents to the Equipment & Software You’ve used to Develop This Fantastic Gadget, You Have Patented  & Control the Unique Processes by which Your Tool is Designed & Manufactured. You Are Aware that a Few “knock-offs” may be developed overtime, but Your Methodology Ensures that You Will Become & Probably Remain a Market Leader.

The Next Step is to Partner with a Distributor who can Help Market, Promote and Get Your Tool into as Many Hands as Possible. You Make What You Feel is A  Great Deal with a Company with a Global Reach and Does Not Impede on Your Exclusive Rights & Control over the Manufacture of Your Magnificent Tool.

Overtime, You Notice that This Distributor’s Profits have begun to Eclipse Your Own. For Every $1000 You See, They have made $10,000 and in some cases and in a few regions much, much more, due to their ‘bundling’ of Your Tool with Lesser Quality Devices. Heck, They’ve even Developed a Subscription Model whereby the Customer is able to Use Your Tool As Many Times as They Wish, Without Even Purchasing It.

To Some Extent, You May Not Mind the Creativity of The Distributor’s Concept. After All, Your Tool is Available Everywhere & Absolutely Everyone is Using it and Appreciating its Functionality. Your Tool is a Bonafide Hit!

The Problem is You’re Not Getting Paid What You Know Your Tool is Worth – and – If It Were Not for Your Tool, The Distributor would Never, Ever See the profits they currently enjoy.

So, You Try to Re-Negotiate, Only to Discover that this Very Rich, Very Smart, Well Connected Distributor has successfully lobbied certain Members of Congress, The DOJ, Other Well Established Government Officials and even Similar Minded Partner Distributors to Enforce Laws & Practices that Keep the Big Bucks Rolling In for Them while You’re Left Counting Pennies.

However, Remember that because You Own the Patents, Trademark and the Manufactured Tool itself, which The Distributor Needs to Sustain their Business, You Have A  Crucial Decision to Make.

Would You:

A) Keep Things the Way They Are, Grateful That Your Tool Is A Worldwide Sensation, Even Though You’re Being Robbed Out of Fair Compensation?? (In Fact, You Are Planning to Make More, Perhaps Better Tools to Send Them to Rob You With)

Or…

B) Remove Yourself & Your Tool from The Agreement and Begin the Painstaking Process of Becoming a Niche Distributor where Less People May Be Aware of Your Tool, But You Earn Higher Profits with Each Sale? (the additional profit affords you greater opportunity to improve your marketing)

 

Obviously You Understand that I am Talking About Songwriters and Their Songs.

I Sincerely Desire for Every EntreMusician to Answer This Question Truthfully.

Before You Do, However: Check Out These Two Articles:

STREAMING NOW MAKES SONY $25 MILLION A WEEK

SIRIUS OWNER SAVAGES SPOTIFY BUSINESS MODEL

I Have Had Hundreds of Conversations with Artist/Musicians at All Levels and Each Answer Varies to the Point where I Needed to Simplify My Approach by Presenting a Different Business where the Creator & Manufacture Must Look At The Bottom Line to Determine Whether of Not He/She Could Remain In Business or Close Their Doors.

Music is Such An Emotional Tool that Fame Often Overshadows Fortune. An EntreMusician Can End Up Eating Bread Sandwiches while Everyone is Singing Their Songs… 

 

I wasn’t listening to any music while composing this blog post.

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7 Reasons Why P-Funk is its Own Genre

Last week we explored 6 Reasons Why  Motown is its Own Genre and what EntreMusicians can learn from their stellar examples. Today we open up the can of Maggot Brains and uncover the stanky P-Funk that only continue to get stronger!

1) Crazy Wisdom. Both Words Aptly Apply to the visionary George Clinton who has been able to juggle Multiple Concepts, Rhythms, Personalities (as many as 60 simultaneous band members) & Record Labels and remain Active, Relevant and Viable at 75 Years Old.

Yes, he’s also equally endured Multiple Business Failures, Drug Use and Almost Inappropriate Everything, but just when you think he’s going to Lick His Wounds from a Rocking Chair, He’s Back On Stage, Leading the Charge for The Funk of it.

2) Uncanny Innovation. Early On, George surmised that the quickest way to get the attention P-Funk needed was to separate from the Motown Melting Pot and Trash the Suits and eschew Doo Wop after a few years of trying to fit in. Taking a cue from Hendrix, Clinton formed Funkadelic and put the guitars on the front burner. Enter Singers, Horns and the first Major Bass Line to be dominated by a Moog.

Experimentation took center stage as the band destroyed traditional ‘verse-hook-chorus-bridge’ composition and pursued The One, first and foremost, using whatever sounds were available and took studio production to extreme levels.

3) Comedic Cast of Characters. Every Member of P-Funk was a Star and George arranged for most everyone to Shine by creating multifarious acts within the band. From Eddie Hazel to Bernie, Bootsy, Glenn Goins, Gary Shider, Bigfoot, Catfish, Junie, Skeet, Fratengelo, The Brides, Horny Horns, Parlet, Blackbird, Hamp, Boogie, Fuzzy and On & On, You Cheered for Each and looked forward to their Contribution to the Funk.

George introduced Imaginary Characters into the dramedy which held as much (or more) court as their human bandmates. Dr. Funkenstein, Sir Nose (and Sir Nose, Jr.), Mr. Wiggles, Star Child, Sir Lollypop Man (alias The Long Haired Sucker), Casper & Bootzilla (who were actual aliases of Bootsy) extended the Imagination and Mythology of P-Funk.

It’s a little know fact that George’s production of The Red Hot Peppers’ Freaky Styley that truly put the rockers on the map. His offshoot groups like Jimmy G & The Tackheads, various guest appearances with artists like Xavier and Thomas Dolby and P-Funk’s long standing association with Prince help solidify their into the souls of Funkateers forever.

4) Expanding Narratives. Along with the creatures, real and imagined, are the vivid stories of a Chocolate City & its Vanilla Suburbs,an excursion through Downtown Bimini Road, the humiliation inflicted on Sir Noze utilizing the Bob Gun, the Essence of the Flashlight, the horror of America Eating its Young, Vietnam atrocities outlined in the Electric Spanking of War Babies, the sterile work ethic of the Children of Production in Dr Funkenstein’s laboratory and ultimately, the Landing of The Mothership continue to engage those new to the notion of Funkadelica.

5) Vital Visuality. Cementing the P-Funk Brand are the Neo-Psuedo, Part Comic Book/Part Novel Album Covers, designed by Pedro Bell and Overton Lloyd which carried over to the Chaotic Circus-like Concerts, where the clothing ranged from the Diaper Laden Shider to any number of Indians, Furry Space People, at least one Indistinguishable Animalistic Alien and a Sheet Wearing Clinton dominating the Stage.

6) Enchanting Motifs. Stopping the Show and shouting “Think…It Ain’t Illegal Yet!!” for 37 non-stop minutes reminded You of Where You Were and Why You Were There! “Gagagooga, gagagooga, gagagoogaga!” “Ha da da dee da hada hada da da!” “One Nation Under A Groove, Gettin’ Down Just For the Funk of It!” and countless chants uttered under the breath of bankers and executives in boardrooms, is foundational to the genius of P-Funk! You Can’t Help BUT Sing Along.

Equally Disturbing are the Infinite Infectious Bass Lines guaranteed to move ANY Head & Foot within 15 Feet! You Can NOT Resist (Even if You Don’t Particularly Appreciate the Song!) You Simply MUST Move! And With the Ever Present Spiraling Squigly Synth Lines Hypnotically Weaving Repetitive Motifs In & Out of the Groove, it’s Irresistible!

7) The One! Finally and Equally (if not most) Important is the P-Funk Approach to The One! Adapted from James Brown, who also accented the eagerly anticipated ‘3,’ P-Funk Stomped The One So Hard & Nasty, They Had to Write a Song About It! The One is the Nucleus of Every P-Funk Anthem.

A Famous George Clinton Chant is “It Would Be Ludicrous to Think We Are New To This, We Do Do This, This is What We Do!” Which is Precisely Why We’ve Been Diggin What’s Been Done for Decades and Why P-Funk is its Own Reward and remains in a Category of its Own!

I was Listening to George Clinton’s “R&B Skeletons in The Closet” while Composing this Blog.

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6 Reasons why Motown is its Own Genre

After 57 years of Active Progress alongside Rock, Pop, Jazz, Blues and Hip-Hop while witnessing the brutal demise of Disco, Grunge, R&B and various forms of New Wave; and even with a 10 year gap from the label’s last major release (Testimony: Vol. 1, Life & RelationshipIndia.Arie /2006), Motown may not be the Musical Institutional it once was, but it certainly remains a stellar, marketable genre most often spoken of in a category all its own.

Having digested Berry’s Official Autobiography, To Be Loved numerous times, as well as the countless other books and documentaries on The Man, The Music and The Incredible Artists, there are at least Six Invaluable Lessons EntreMusicians can Learn and Build Upon.

1) Excellent Songs. Berry, Smokey, Members of “The Corporation” and subsequent Composer/Producers placed The Song as their Number One Priority. Nothing Else Mattered. Before they Considered 10 Weeks at #1 on the Pop Charts, the Song’s Lyrics, Rhythm & Raw Emotion had to be TIMELESS…which is why Ooh, Baby Baby  will still Break Any Woman Down to This Day!

2) Flexibility. The Next Step in Targeting Timeless Material is the Ability to Flex it to Any Artist who Flips it as a Hit Again & Again. Because Motown Boasted a Roster of Excellent Artistry, Gladys Knight & The Pips, Smokey Robinson & The Miracles and Marvin Gaye all reaped gold from Barrett Strong & Norman Whitfield’s powerhouse “I Heard It Through the Grapevine” (Not to mention everyone else from Creedance to Roger Troutman!)

3) Intense Training.Motown developed their Artists through rigorous physical & psychological training, to the Chagrin of Some and the Delight of Others. It Was School! Those who survived the process are Icons (deceased or alive). Each were Groomed, Choreographed & Positioned for Superstardom. This Acute Attention to Detail is what propelled Diana Ross & The Supremes from the Commodes of the Chitlin’ Circuit to Swanky, Glistening Upscale Showrooms.

4) The Importance of Systems. As above, The Motown Sound was a Calculated System, often utilizing the Same Musicians, Arrangers & Producers. While Other Studios and Labels of the era also employed the same model, Motown’s Approach & Techniques were culled from Gordy’s experiences at The Ford Motor Company where every worker did his/her job the same exact way, each and every time, growing more efficient & effective with each new release, thus earning Motown the well deserved moniker, “The Hit Factory.”

5) Interdepartmental Competition. Often, the Motivation that kept Motown pumping on all cylinders was not in besting outside rivals, but the internal battles that all the songwriters welcomed and championed. Let Stevie go up against The Temptations, or Edwin Starr‘s new tune arm wrestle The Marvelettes groove. They threw all the records on the table and Only the Best Song hit The Street. This kept ALL of the Artists sharp, engaged and at their best.

6) Ownership. As the Unfolding History on this National Treasure revealed, as long as ownership remained in the hands of the Original Visionary, Motown could do no wrong. But once outside investors began to chip away at the corporate shares, the Magic weakened and once the company sold, even ace architect, Smokey Robinson left the label. However, Gordy’s genius in Maintaining Majority Ownership and Control of the Publishing is exactly what Solidifies Motown’s Position as it’s Own Musical Identity, Now & Forever.

Let’s Go and Do Likewise!

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Your Song, Your Story, Your Voice

In Today’s Tumultuous Climate, with Raging Debates driving Social Media & Talk Shows and the Extraordinarily Divisive Atmosphere pervading even the smallest towns in these so called United States, it’s often easy to Ignore the Anointing available to EntreMusicians and Creatives to turn the tide.

The Inherent Power we Possess in Pointing Others toward Peace, Honor, Dignity, Unity and dare I say, the Promise of True Brotherly & Sisterly Love Does Indeed Exists, If We’d All only take a moment to Step Back, Breathe, Think, Pray & Righteously Engage.

As EntreMusicians & Artists, it’s Not Enough to Document the Current Reality, but to Prophecy of the Possibilities we all have access to as Citizens of Planet Earth.

Langston Hughes, Duke Ellington, Billie Holiday, John Coltrane, Bob Dylan, Shirley Verrett, Aretha Franklin, Mahalia Jackson, Joan Baez, Mavis Staples, Curtis Mayfield, Sam Cooke, Joan Dresner Bernstein, Gloria Larry House, Marvin Gaye, Stevie Wonder (whose lyrics from “As” were recently recited by Dallas Police Chief David Brown during the Memorial for the Fallen Officers) and countless others uniquely utilized their Art to Soar over Sadder Times, creating a Soundtrack of Resilience, Hope, Salt & Light to Keep Us both Grounded and Looking Up.

So what about You?

How will You employ Your Song, Your Story, Your Voice and even Your Life to Shine as a Beacon in such a tremendously dark time in our country?

Lift It Up! Let It Shine! Sing It Loud! Say It Proud and Show Us The Way!

Here is a song I Wrote with the Dynamic Lyricist & Singer, Marlon Saunders, entitled “Just Think,” produced in a more peaceful period, but relevant for Today & Tomorrow.

 

I was listening to Jeff Lorber’s “It’s Fact” on vinyl while composing this blog!

 

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POWERLESS??

SPOTIFY AND APPLE ARE AT EACH OTHER’S THROATS…, Apple in Talks to Acquire Jay Z’s Tidal“…, YOUTUBE’S DOMINANCE TAKES A BEATING“…, & The Music Industry Just Lost a Big Fight with the Government Over Royalties” are just a few recent Headlines glaring in the faces of EntreMusicians. And the New News is Spotify Tops 35m Subscribers which continues to support the David & Goliath mock-up we’ve been fed for decades.

Sure, there are Certain Things that Intimidate Us, Most of Us are NOT Millionaires.

But Are We Powerless?  Or Do We Merely Think We Are? Who Convinced Us of This?

Are we Really in No Position to Change this Music Game and Reroute Our Artistry Directly to Our Individual Friendbase while Bypassing The Current System?

Is the notion of An Independent Streaming Model Available to Each EntreMusician Intelligent Enough to Create Continual Content too Difficult to Imagine?

If a $1.99 / $2.99 Exclusive Access Tier from Our Own Individual Channels were Created & Maintained, a Far Fairer Form of Compensation, and perhaps Appreciation, of our Art would be Enjoyed. Obviously, We’d Bear Sole Responsibility for Building & Nurturing our Tribe, but the Truth is We Do This Now while Reaping No Advantages

These Are the Questions I Continue to Ask, Conversations I Constantly Engage and the Plan I AM Currently Implementing.

In Numbers 13 (OT), Moses sends out 12 Spies to Investigate the land The Lord had appointed for them To Conquer. Forty Days Later, 10 of them returned with a Thoroughly Wimpy & Faithless Answer – even confessing that they felt as small as grasshoppers amidst the citizens there and must have looked the same way to them! 

If You’d keep reading, You’d find that the other two spies, Joshua & Caleb Radically Disagreed with the 10 punks and Courageously Inspired the People to Take The Land!

Now You Can Guess Who The Lord (who is a Staunch Rewarder of Faith) Was Ultimately Pleased With…

So, Are You a Joshua or a Caleb?

Or Are YOU Powerless?

 

While I wasn’t listening to any music while composing this blog, Earlier I was digging on Ahmad Jamal’s “Blue Moon

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Systems

This Week I take a Break on My Lone Diatribe of the Current State of the Music Industry and that which I feel EntreMusicians Can/Should be Doing to Alter the Ugly Tide. As I Reflect & because I Am Quite Passionate, It seemed I was beginning to Sound like a Whining Polemic, which was/is not my intention.

My Goal here is to Engage, Encourage & Empower EntreMusicians Everywhere to Embrace their Artistry with the Highest Level of Significance & Inspiration.

To that End, Today I wish to share the Importance of Creating Systems in Your Day/Week/Life which Propel You toward Consistently Attaining New Heights in Your Career.

If You’re Anything Like Me, or the Millions of Other True Creatives, Our Souls Find Meaning in Abstracts. We tend to “Feel” More than We “Reason.” Creatives are More Apt to Be “In The Moment” than “In The Long Run.”

As a Intense Jazz Lover & a Participant in the Genre, the Sheer Intention of Improvisation is Always Intriguing and a Blessed Experience, but without the Foundation of a Steady Rhythm, Chord Patterns, Motifs & Melody, the Magic Mercurially Melts.

EntreMusicians Understand this Balance. We Incorporate Habits, Rituals & Systems into Our Days/Weeks/Lives to Provide Security for the Spontaneity. We Emphasize Structure so our Creativity Soars.

Although Creatives Understand the Disciplines that Apply to Our Craft, and subsequently Practice our Fingers Off, We Rarely Develop Regiments around Our Art to Promote, Sustain and/or Catapult Our Careers & Influence.

Here Are A Few Questions for You To Consider:

a) Do You Have a Daily/Weekly/Life “To-Do” List?

b) Do You Maintain a Morning Ritual?

c) Have You Established Boundaries on How You Spend Time in Each Sphere of Your Life?

d) Is there a Proper Balance for Personal & Professional Relationships & Goals?

e) Have You Formed a Team to Keep You Accountable to Your Aspirations?

The Way You Answer these Questions Will Help Shed Light on what You Need to Do to become More Effective & Efficient in Harnessing Your Creativity & Accomplishing What Truly Matters.

Below Are A Few Resources which have over several years helped me form Significant Systems in My Quest to Create Extraordinary Work I Pray Makes A Major Difference in the Lives My Spirit Reaches.

Time Will Tell the Ultimate Extension of My Influence, but Time Will Certainly Find Me Constantly Improving My Serve!   I Pray The Same for You!!

Michael Hyatt – My Ideal Week 

Dr. Steven Covey – The Seven Habits of Highly Effective People

Dr. Myles Munroe – In Pursuit of Purpose

David Allen – Getting Things Done

John Maxwell – Talent is Never Enough  (Or Any Other Doggone John Maxwell Book!!)

The Bible (An Indispensable Tool in My Systematic Arsenal!)

I was not listening to any music as I Composed this Blog and am Suddenly Wondering Why!

 

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You Mean They Drilled Into His Vault??

Obviously I have waited for what I feel is a respectable amount of time to bring this topic up. And I No Way Feel a Disconnect from the Main Topic I have espoused for the last few months, beginning weeks prior to Prince’s Majestically Mysterious Departure.

I have been asking “How You Define Success,” “How Important Are You,” and slowly initiating an Obsessive “Psychology behind the Philosophy” Mantra for EntreMusicians to Rethink our Entire Dependence on Spotify, Pandora, Apple Music and the Upcoming Amazon Streaming System. Irregardless of the fact that the Grammys are now considering a Brand New Category for Streaming Music, If Artists are Not Getting Paid, They’re Getting Pimped! (Tweet That!)

But I Digress…

Reflecting on The Purple One’s Intense Fight for Independence from Warners, His Mysterious Death (You Mean He was Left All Alone, All Night In That Huge Complex After Almost Dying a Week Earlier?), One of the Speediest Cremations of a Body Not Dying by Fire and to Top It All, his Private Music Vault Drilled Open Less Than 10 Days After His Death?!?!!

In Considering He was a Single Man at the time of his passing, Intensely Private and that he Left No Will, One of the Single Most Important Questions EntreMusicians Must Ask themselves is “Who Is My Advocate?” It seems that Tyka and the rest of his half-siblings, along with the Well Intentioned Shelia E, Larry Graham, Morris Day and others who knew His Royal Badness Extremely Well have to Sit on the Sidelines while an Attorney & A Record Company Executive muses through his Intellectual Property.

If  This  Doesn’t  Scare  the  Rhythm  Out  of  You,  You’re  NOT  A  Musician!

Here are a Few Questions You Should Ask & Answer before the End of this Blog:

“Does My Spouse/Significant Other Know Where My Copyright-Publishing Information Is and Can They LEGALLY Speak for Me if I am Physically/Mentally Incapacitated or am Deceased?”

“Where Is My Will and Is that Sucker Updated?”

“Do Select People I Love and Trust Have the Necessary Passwords to my BMI/ASCAP/SESAC and other Pertinent Accounts”

“Have I Explained Very Clearly My Wishes for My Musical Equipment/Software?”

 “Are My Collaborative Agreements with Other Songwriters/Band Members In WRITING and In Order?”

“Are My Trustworthy Attorney & Accountant Up to Speed on My Wishes for any Unreleased Music I Might Have?”

“Have I Backed Up My Hard Drives and Entrusted them to Safe People/Places?”

Hopefully, these are Enough to Encourage You to Become Very Intentional about the Inevitable. Taking Care of Business is Always of Ultimate Importance for the Intelligent EntreMusician.

 

I was listening to Bob James’ “Hands Down” on Vinyl while composing this post.

 

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