Tag Archives: EntreMusician

BE The Booking Agent!

concert audienceSince September is a Traditional Educational Month, I Will Spend it with You by Sharing A Few of The Ways I’ve Honed My EntreMusicianal Skills by “Being” All The Things I’ve Needed to “Be” to Advance My Artistry & Career, while making a few bucks along the way. 

Being an EntreMusician comprises being adept at all of the functions of an Artist’s Career. Managing all the aspects of your own career can be its own unsettling balancing act. However, when you’ve become adept at walking atop your own tightrope, you might find it profitable to help someone else gain stability. 

It’s Common Practice for any Musician to refer another band for a gig they aren’t able to do. The second step is becoming noted for intentionally hooking up other talent for an event or venue and receiving a reasonable fee for doing so. 

For a few years now, since my days as producer of the event formally known as the Youngstown Jazz Fest, I have been able to align various artists with a variety of regional events. Both parties are aware that I represent the Band/Singer/Musician as an agent exclusive to that performance.  

I charge an extremely affordable rate, based upon the amount of work I need to do – and I keep it very basic. This fee is ALWAYS Collected from the Venue and Never from the Artist. I am doing them both a favor, but the advantage is Always Towards My Fellow EntreMusician. 

I Only Recommend bands I KNOW are completely dependable with a Killer Show to Event Promoters that I KNOW will Treat Them Right and Will Pay. If I am Not Confident of Either of these Attributes, I don’t get involved.  

I Send an Agreement on Behalf of the Performer, Collect the Non-Refundable Deposit and Secure the Date. I don’t get mired into the tiny details letting the bandleader and venue owner customize the event. I Am Not the Band’s Manager and I Never Insert Myself into that Role. 

I’ve had only 100% Satisfaction Rate so far for these “Favors.” The best thing is I Don’t have to be there on the night of the event, unless I want to. I Invest My Time in Concentrating on My Own Production and/or Performance! 

Please Note: Some of the Larger Music Business Capitals have State Laws which govern and license the activities of Booking Agents. Make Certain You Are Knowledgeable of and In Compliance with any applicable situation!

Be The Booking Agent!

I was Listening to Chuck Mangione‘s “Live AT The Hollywood Bowl” on Vinyl while posting this…

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The Four Hands of EntreMusicianal Networking

Mastering the Art of Consistent Networking is Foundational & Essential if we are to Succeed as EntreMusicians. Advancement eludes us when we consider ourselves islands and isolate ourselves from community. Albeit, We bear the bulk of the Responsibility for our Careers, True Achievement is Not Created in a Vacuum.

Many EntreMusicians swallow the Myth of the “Self Made Artist,” who Writes Everything, Arranges, Produces & Plays Everything, but never ascends from his/her basement studio because they’ve eschewed human social skills and ignore establishing relationships with other bands, artists and creatives.

Even Musicians who’ve been fortunate enough to secure management, booking or some significant ‘deal’ which somewhat sets them apart from their contemporaries, find they have a much rougher ride and eventually hit a wall because they have set themselves (or allowed others to place them) above or outside the Collective Visibility  of the Creative Culture. The Truth is that even at the Highest Level of Triumph, Connectivity Still Rules! So here are a Few Rules to Perfect the Practice of Networking at whatever Position You Currently Occupy.

1. Reach Out!

Take the Initiative to Find Other Artists of Like Mind/Spirit/Heart whether within your musical genre or not. Arrange a Coffee or Jam Session or Gig that’s Mutually Beneficial. Without Becoming a Pest, Be the One Calling, Texting or Messaging Periodically to Let Them Know You’re Interested in Them and What’s Happening in Their Career.

2. Give Out!

EntreMusicians are Extremely Generous. Any Valuable Information, Resources or Viable Practicality which can be freely offered, Give It! Go Out of Your Way, Be On the Look Out and Intentionally Create Opportunities to Be A Blessing to Another. Is there any Old Gear hanging around that you’ll likely never fire up again? Don’t Pawn It, Find an Up & Coming Hopeful and Give The Thing(s) Away!

3. Help Out!

Everyone Needs Help at Some Point in Time. EVERYONE! Even & Especially National Recording Artists. Find Out How You Can Assist – Yes You! Graham Cochrane, an Engineer/Producer I Follow & Highly Respect once said that every time he attends NAMM or some other Industry Function, he abstains from strolling up to higher profile Artists/Producers/DJs with Business Card & CDs in Hand, asking THEM to either Listen to His Stuff, Get Him a Deal or “Hook Him Up” in whatever way. Instead, He ASKS How HE Can HELP Them!!

Chances are They will be playing his City soon (he asks) and perhaps there may be some assistance they might need when they arrive and/or before they depart that he may be essential in accomplishing on their behalf. He Never asks for anything in return and Graham’s (and now my own) methodology is 85% More Effective that the ‘Star’ will remember His Name…There are a Million Ways to Help – Find Yours!

4. Throw Out!

Discard ALL Negative Motives, Attitudes, Thoughts, Words & Actions!* Live By The Mantra that You NEVER Compete, NEVER Compare & NEVER Criticize!**

Throw Out ALL Feelings of Envy & Pride! Concentrate on Doing Your Best Work and Find Ways to Assist Your Peers in Doing Theirs. Hold The Door Open and Help Balance The Ladder for Other, Again Expecting (And Not Asking For) Anything In Return! Overtime You Will See, by Osmosis, the Law of Sowing & Reaping bearing Fruit and Your Life & Career Blessed because You have Blessed So Many Others!

I would Love to Hear How You Utilize Networking in Your EntreMusicianal Pursuits and the Profound Results. Leave Your Comments Below.

Download My Free E-Book “50 Engaging Ways to Transform Your Fans Into Family” and Subscribe at TheEntreMusician.com for More Ways to Engage, Encourage & Empower Each Other!

 

I was listening to Spyro Gyra’s “Incognito” on Vinyl while writing this post.

* &** Quotes of Bishop David L. Thomas

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Copyright or Wrong?

The First True Threat to Copyright’s Extinction in Our Lifetime was the invention of the Sampler and its Little Cousin, the Portable DAT , which blew open Recording Studio Doors to Unlimited Imagination and Unabashed Thievery. No Previous Song Was Safe From the MPC and against the backdrop of the late, great James Brown‘s roaring protests stood Chuck D‘s amplified mantra, “Yo, You Can’t Copyright No Beat!!”

The Recordable CD on Your Laptop gave birth to the First Napster and File Sharing introduced an new generation of fans to Led Zeppelin while making bands like Radiohead and Dispatch household (pun intended) names.

Music Buyers metamorphosed into Music Lovers who No Longer Purchased Music. Record Companies finally awakened from their Cash Comas (brought on by the CD Boom) and realized they could not NOT Negotiate with Steve Jobs. When the dust settled around the 99 cent download and Napster’s Socks were Sued Off, the entire notion of Copyright Protection for the Content Owner began to slip into the paws of the Content Provider.

Streaming seeks to further erode such protections more subtly as Subscription Models ensure the End User Owns Nothing and Access is Granted or Revoked based on Advantaged Licensing Agreements tilted toward the Providers, Not The Owners.

Less Copyright Protection Equals Far Fewer Royalties for Owners who are now relying on Congress to Change the Game. Many Say Copyright is Dead,or at best on life support with the hyper advance of technology and Creative Commons squelching the Conversation.

EntreMusicians would do well to Resurrect this Sacred Trust by Developing Technology which Secures our Unique Position as sole Owner/Provider, Creating our Own Subscription Channels Direct to our Exclusive Bases, Disconnected from the Snares of Apple, Google, Spotify and YouTube. Established & Marketed Correctly, This Vehicle would Guarantee that Copyright remains Right.

For More Engaging Articles on Copyright Fairness and Other Concerns, Visit TheEntreMusician.com, where you can also Download My Free E-Book, “50 Ways to Transform Your Fans into Family.”

I was listening to Jeff Lorber‘s “Galaxian” on vinyl while composing this blog.

 

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Always In Writing

One of the Earliest and Most Critical Mistakes Any New EntreMusician tends to Make in this Business is Relying Upon Verbal Agreements.

It’s Easy to Do Because at This Stage You’re Extremely Excited that the Phone Even Rang!

And Before You Know It, Your Enthusiasm Gaining the Advantage, You’ve Locked in The Band, The Date and Invested Precious Time & Resources solely based upon what some Stranger (or Friend) Said she was going to pay you.

There’s already a degree of embarrassment because you nervously negotiated a price and most likely settled for less than Your Original Fee. So with the possibility of losing the entire gig dangling in your imagination, you choose to forego any further timidity and agree to most everything else.

You arrive on time, perform magnificently (of course), only to have the venue owner congratulate you on a wonderful show but with apologies that he didn’t sell enough tickets, drinks or secure the amount of sponsorship he was hoping to receive (which has absolutely nothing to do with you – unless you were not listening) so now he claims he can only pay you…

The very best way to avoid this type of robbery is to Always Place Your Agreement in Writing and Make Certain You place this important piece of conversation atop your discussion.

The All Important Question “And What is Your Budget for this Event?” will provide you all of the necessary information you’ll need before continuing “Please Email Your Agreement to…”

At this Point Either Two Significant Events Will Happen:
1. The Reputable Promoter will make sure they’ve spelled your email address properly and send you the requested document or perhaps ask you to send yours (more on that in a bit)

2. She will begin making several excuses about why she doesn’t use/have one or a Written Agreement, or begin to use those infamous words ‘trust me…’

It’s Vital that You begin to utilize a Written Agreement the moment you’ve formed your act. Even if only charge $50 for the night, get into the habit of using a contract!

If the club owner doesn’t have one, present one. If you don’t have one, create one or download one from http://www.theentremusician.com, and don’t forget the include asking for a 50% deposit!

Serious Venue Owners take you far more seriously when You Talk Terms of Agreement and are prepared to document them even if they are not prepared to present one. The offer itself adds major validation to your professionalism.

And Remember, That’s Exactly Who You Are!

Next Time, We Talk About Getting Paid BEFORE Your Performance!

Although I wasn’t listening to any music while composing this post, I going to be listening to Stevie All Month!

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The Mystery of Generosity

One of the Wisdom Proverbs says:

“The Generous Person Prospers, The One Who Waters Will also be Watered.”

It’s An Incredible Statement for Every EntreMusician to Abide By as Most of Us Spend Many of Our Waking Moments Looking for Opportunities that Will Benefit US and Precious Few Searching Out Occasions to Benefit OTHERS.

If We Happen Upon the Good Fortune of a Great Promoter, Venue, Festival or Other Profitable Enterprises which Provide Advantage, Progress or Achievement in Our Own Careers, We Would Do Well in Seeking Such Favor on Artists, Musicians and Entertainers who would Never have the chance to Showcase Their Talents, Unless We Hold the Door Open for Them – Especially those Further Down the Totem Pole of Experience (Your Obviously Trusting that They Possess the Professionalism and Discipline to Handle the Gig!)

The Gift of What Comes To and Happens In You Is Immeasurable, the Wider You Open Your Heart. It Seems as If Platforms You Were Previously Denied Access To Suddenly Avail and Fees You’d Never Imagine Commanding Become Yours, with Less Effort on Your Part, Because You’ve Ignited the Miracle Circle of Blessings.

Of Course this Process Works Personally. I Must Confess that there was a Season in My Life Where I Held Tight to a Scarcity Mentality. When I Would Give, It Naturally Meant I Had LESS. So I Hoarded! When I Encountered a Disheveled Person at an Intersection, Holding Up a Cardboard Sign, I Rationalized 10 Million Hypotheticals as to How & Why They Ended Up in That Position OR That They Were Only Conning Me Out of My Few Wrinkled Dollars Tucked Away in My Ashtray. This Helped Me Justify Looking Away – and – Driving Away…

Thank God I Have Come to Learn an Abundance Mentality which Assures Me that Giving Really Means Planting! There’s Always ‘More‘ and at Some Point, in Some Scenario, My Seed Will Harvest and I Will Receive Exactly What I Need.

Try It!

Open A Door. Create An Opportunity. Give and Notice All that Happens.

You Become the Beneficiary of Bountiful Blessings, the Recipient of Joyous Transformation You Would’ve Never Imagine or Appreciated if You’d Remained All To Yourself.

 

Interestingly, I Was Not Listening to Any Music as I Wrote This Post…

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The Twin Towers of Truth & Trust

Unfortunately, our Country and the World has recently had to endure the commemoration of the 15th Acknowledgement of the Atrocities which occurred on September 11th. Our Hearts continue to go out to the many families who’ve had to be reminded yet again – and embrace the pain of their magnificent losses.

Perhaps like You, Lori & I watched a significant number of documentaries that retold stories of Bravery, Heroism & Self Sacrifice in various moments of crisis. Interwoven within these tales were also a growing analysis of Skepticism, Controversy & Conspiracy which explain that we do not have All the Facts, nor have we indeed been told the Entire Truth concerning this Incredible Tragedy.

Amidst the Irony of these Painful Ceremonies is the blatant, crude and destructive political campaign season we find ourselves in, where it seems that the Twin Towers of Truth & Trust have likewise been destroyed, long before a plane – or a missile – crashed into the World Trade Center.

If We are forced to Choose, for the Highest Office in our Nation, between the One Who Lies the Least, it’s no wonder why America suffers from a Deficit of Reliability Worldwide- If & When Our Government Leaders, Present & Future are Unwilling to Stand On and Speak The Truth, then it’s clear why it may take decades, or longer, to rebuild the Tower of Trust.

Furthermore, if we as individuals find it difficult to Speak Truthfully, In Love, to our neighbors, next door, at work, in church, at the mall and/or online, we emaciate the right to accuse any leader of decimating the public trust.

Truth & Trust are Towers We Must Build Together.

 

I was listening to no music while writing this blog.

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Three Tiny Steps on The Tightrope of Time & Money

Everyone is Well Aware of the Two Most Important Commodities on Planet Earth.

Time & Money.

Both Can Be Wasted, Saved, Spent or Invested. Used Wisely, Each Possesses the Power to Obtain Greater Assets & Privileges and/or Provide Basic or More Luxurious Needs to the Few or Many. Frequently, Both Are Traded for the Other and Wisdom is Tested in How Well One Uses or Abuses Them.

EntreMusicians at Every Level Seem to be in Short Supply of Either. Walking The Narrow Tightrope of How to Utilize the Best of Both Pay Huge Dividends and Multiplies Our Successes Exponentially.

Although I Have Not Included any Hard Core Solutions to Our Conundrum, I have listed Three Tiny Scenarios that I have personally walked through in the hopes that they Motivate You to Think Through the Issues Before You Spend (Or Waste) Either Valuable Resource.

1) Music Lessons. Admittedly, I am the Worse Drummer I Know. Many Also Know This and Would Agree! I Hated Taking Drum Lessons in my youth and Now I’m Paying for My Embarrassment, When I Should’ve Paid for The Lessons…

I am a Far Better Songwriter & Producer, for which I also Didn’t Take Lessons, but Spent a Million Hours Developing My Craft, Buying & Blowing Up Gear and Listening, Listening, Listening to My Favorite Artists to Learn (read steal) Ideas from…Although there are Countless Conferences, Workshops & Seminars I could have shelled out for, which Others Attend & Swear by, I Believe My Time in the Basement was the Better Investment.

2) Buying Studio Time or Building Your Own Space. Purchasing Studio Time at a Reputable Place with a Knowledgeable Engineer is a Dream – When You Know Exactly What You Want, Have Thoroughly Prepared Your Music & Practiced Like Crazy! If None of Those Things Are in Place, You Might As Well Set Fire to Your Hard Earned Cash Right Doggone Now!

There are a few Compassionate Engineers and they usually have Small Digital Clocks next to their boards. If You See a Huge Round Audible Ticking Monster Hanging on the Wall Behind Their Chair and Two More in the Booth with a Blinking Count Down Mechanism, You had Better Gone to the ATM! If they happen to Hate Your Music, Well The Clock Theory Goes Out The Window with You & the Rest of Your Gear!

I’ve been Beyond Fortunate to Own several Tascam 4 & 8 Track Cassette Recorders in the Medieval Days of Home Recording, as well as Collaborating with Like Minded Musicians & Studio Owner/Engineers who were on their own quests to Learn & Grow. This saved Valuable Time and The Only Money Spent was on Better Gear (more on that soon).

3) Do I Really Need A Manager? No. Yes & No.

If You are Just Beginning, Embrace EntreMusicianship for All It’s Worth and Invest Your Time Learning Every Single Aspect of Managing You, Your Schedule, Your Band, Their Schedules. Make Every Phone Call. Send (and respond to) Every Text & Email. Learn Your Market and Learn How to Say “No Thank You!” when that Promised Exposure Only Benefits the Promoter/Club Owner. Become an Expert Negotiator!

As Your Band & Brand Grows, Spend the 5 to 8% on Loyal, albeit Inexperienced Managers willing to devote themselves exclusively to You and will work with you to decrease Your Blind Spots and Actually Help You Build Your Artistic Acumen. Professional Managers will definitely be worth the 10 to 15% but You Must Also Be Worth It To Them and the Way You Know That is NOT In The Way They Woo YOU, but what they have Proven to Have Done for Others! Still, You Should be Concerned about their Exclusivity to You and Not just another of the 16 acts on their agency roster.

The Most Efficient Way to Invest Time & Money at the Outset of Your Career is to Build A Team. This Includes An Attorney, An Accountant, A Social Media Director/Publicist and Your Own Hand Picked Manager/Booking Agent. Interview Each Carefully, Have A Ton Of Meetings, Individually & Collectively (Yes You May Have to Pay for Their Time). Make Sure They Understand Your Vision, Principles & Goals (Make Sure You Understand Them Too!), Iron Out Percentages on the Front End, with an Optional Earnings Elevator (i.e., The More You Earn Over Time as a Result of Everyone’s Efforts, Their Percentages Also Increase).

I Confess with Joy that this has been the Single Most Efficient Decision, which has helped me to endure even during the dark times or when SounDoctrine is Not on Stage or in the Studio. A Team helps Weather the Storms, Keeps The Vision Alive & Encourages You To Advance Ahead.

We’ll Discuss Three More Next Steps Next Week. Thanks for Taking the Time to Read This Blog! I Was Listening to The Crusaders’ “Images” on Vinyl while Writing & Posting here!

 

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Four Ways I Fall Into Autumn

“Bah Dee Yah, Say Do You Remember? Bah Dee Yah Dee Yah Dee Yah!”

September!!(for those not familiar with the classic Earth Wind & Fire anthem)

Parents are Delighted, Students Dreadfully Curious and Employees Everywhere Assemble to Swap Vacation Stories and their Sandals for Sweaters. As Autumn Dawns, Everyone Seems to Settle into a Greater Degree of Normalcy which soon Make Us Long for Careless Summers Once More.

EntreMusicians prepare to hunker down in various Studio Configurations. Some to Create & Collaborate. Others to Re-Design or Re-Define their Marketing Strategies. Several Summer Tour Ensembles will Break Apart in A Blaze of Entropy – Mostly caused by Laundry Issues or An Undisciplined  Drummer Keeping Better Time with the Keyboardist’s Girlfriend than he did on Stage!

Either way, there’s a Rhythm to September that EntreMusicians can sequence into a funky pattern of productivity. If you’re anything like me, I’ve adopted these Intentional Habits (read obsessions) that help me settle into a Quiet, Music Filled Winter.

1) RESET My Ideal Week.  Two years Ago, I adopted My Virtual Mentor, Michael Hyatt‘s suggestion to give Every Day A Name and a Theme for Efficiency & Effectiveness – For Example: Thursdays are Music Day (and Date Night with Lori), Fridays are for Meetings, Wednesday is reserved for Deeper Personal Bible Study and So On.

Generally, Summer takes on certain nuances that make for a looser grid and although I maintain my themes, not everything is so locked in. When September comes, I fine tune and tweak so my Habit Monster is Happy with me Again!

2) REVIEW & REMOVE: Certain Social Friends. I began this habit about Three Years Ago. It’s Time Consuming to Try to Appear Omnipresent, so I whittled down my Social Existence to Only Three Platforms: Facebook, LinkedIn & Twitter. I then began looking at who I actually wished to engage with, who posted more interesting topics I would benefit from and those whom I could literally recommend to another EntreMusician or Creativewho might need their expertise. Again, during the summer, I tend to invite – or get invited to spaces without actually during the research to see if I (or they) need to be a connection. I never take it personal either way, I just Review, Decide & Remove if Applicable.

This Summer, I Did Something So Stupid, It Truly Fits in Items #1 & #2! I made a Promise to Periscope Daily at 8:30PM and found myself either in places not suitable for video or lacking any valuable content important enough to share! Well I’m Done with that nonsense and since Facebook Live is Already My Platform, There is No further Reason to Scope!

3) READ:

I Primarily Digest Business/Leadership Books, but in Autumn, I Get My Creativity back in Check by Reading Autobiographies. Here Are A Few I’m Taking Off the Shelf this Fall:

No, The Last Dude is Not A Musician, but My Eldest Daughter Tejai bought if for my 50th Birthday, So I Need to Check It Out!

4) REFRESH My Unfinished Compositions. I Listen to Absolutely Everything I have Not Released and Many I Have, just to see if there’s another angle or if it’s truly Crapazoid! (Especially the Unfinished/Unreleased Stuff). In fact, there are about 15 songs I have been breathing new life into which are about 30+ years old! They are getting off the hard drive and out of the Studio with Different Musicians, Vocalists and Arrangements! It does my heart good that they’ll soon hit the street. But then there are the others…

So This is The Way I Fall Back Into Autumn. I would Love to Hear How You Handle the Change of Pace…Post Them on My Facebook Page

I was listening to John Klemmer‘s “Finesse” on Vinyl while composing this. A Great Way to Melt into Autumn!

 

 

 

 

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My 5 Favorite Spaces

This Week I’m Dropping Five of My Favorite Resources & Tools I Regularly Rely On to Bring both Efficiency & Effectiveness to My EntreMusicianship. Through Several Years of Honing Creative & Productive Habits, I’ve Found These Spaces Work Best for Me. Although I Am Sure You Have a Toolbox of Your Own, Here’s My Five Faves:

REASON 9

Although I Also Employ Sonar Platinum, Vegas Pro 11, Sound Forge Pro 10 & Acid Pro 7 (For their Amazing Beat Mapper!) as Needed,  Reason has Long been My First Choice for Writing & Production. Reason is Completely Customizable & Intuitive and I’ve Never had a Need Reason Could Not Handle. It’s Fast, Powerful & Practical!

HOOTSUITE

The Efficacious EntreMusician’s Social Media Presence Must Be As Concise as it is Impactful. Hootsuite Allows Me to Schedule & Post Across All Platforms & Groups Seemlessly. Although the Paid Version Allows Limitless Engagement On Each Stream, I Chose My Three Most Popular Spaces to Post to and allowed the rest to remain Peripheral. Thank God I Have Michaela on My Team to Keep Me Consistent!   (Follow, Friend & Connect!!)

EVERNOTE

I Admit to Being just a Toddler on Evernote. There’s So Much To Learn & Do on this thing!

I Use It to Write Lyrics, Record Thoughts, File Dreams, Keep Key Contacts, Doodle, Design and Shape Stuff! I Love It’s Flexibility & Availability, No Matter What Device I Reach For! There is Also A Paid Version for Power Users.

THE INDIE BIBLE

The Best Way To Describe How I Use Indie Bible is as a Networking Platform, which I don’t believe was David Wimble’s purpose when he created it. I’m Happy to Say I was One of His First Customers. IB’s Main Purpose is to be the Premier Place for Indie Bands & Artists to Find Gigs, Radio Stations & Other Outlets to Showcase their Music – and Trust Me, It is a Wealth of Information. The challenge SounDoctrine faces is that we are in such a Tiny Genre, there aren’t too many places for us to Upload Our Originalternativefunkjazzfusion!” 

But IB is packed so full of resources, we utilize the Information as a Springboard to Help Other EntreMusicians, Most of Whom Reciprocate which Turns It Into A Major “Win-Win”

THE BUZZ FACTOR

Another Ocean of Invaluable Information is Bob Baker, whom Every EntreMusician MUST Check Out. I Cut My Teeth on his Ideas, Advice and Non-Traditional Suggestions. Bob’s Guerrilla Music Marketing Handbook Should Be On Your Bookshelf and His Blog Will Provide You With The Nutrition You Need To Soldier On!

I Truly Hope You Could Benefit from The Spaces I spend The Most Time On & Offline. I’d Be Ecstatic to Know Where You Hang Out & What You Use to Get The Job Done! So Reach Out and Let Us Know!

I Was Listening to Russell Donnellon’s incredible “Since You Asked” while writing this entry!

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7 Reasons Why P-Funk is its Own Genre

Last week we explored 6 Reasons Why  Motown is its Own Genre and what EntreMusicians can learn from their stellar examples. Today we open up the can of Maggot Brains and uncover the stanky P-Funk that only continue to get stronger!

1) Crazy Wisdom. Both Words Aptly Apply to the visionary George Clinton who has been able to juggle Multiple Concepts, Rhythms, Personalities (as many as 60 simultaneous band members) & Record Labels and remain Active, Relevant and Viable at 75 Years Old.

Yes, he’s also equally endured Multiple Business Failures, Drug Use and Almost Inappropriate Everything, but just when you think he’s going to Lick His Wounds from a Rocking Chair, He’s Back On Stage, Leading the Charge for The Funk of it.

2) Uncanny Innovation. Early On, George surmised that the quickest way to get the attention P-Funk needed was to separate from the Motown Melting Pot and Trash the Suits and eschew Doo Wop after a few years of trying to fit in. Taking a cue from Hendrix, Clinton formed Funkadelic and put the guitars on the front burner. Enter Singers, Horns and the first Major Bass Line to be dominated by a Moog.

Experimentation took center stage as the band destroyed traditional ‘verse-hook-chorus-bridge’ composition and pursued The One, first and foremost, using whatever sounds were available and took studio production to extreme levels.

3) Comedic Cast of Characters. Every Member of P-Funk was a Star and George arranged for most everyone to Shine by creating multifarious acts within the band. From Eddie Hazel to Bernie, Bootsy, Glenn Goins, Gary Shider, Bigfoot, Catfish, Junie, Skeet, Fratengelo, The Brides, Horny Horns, Parlet, Blackbird, Hamp, Boogie, Fuzzy and On & On, You Cheered for Each and looked forward to their Contribution to the Funk.

George introduced Imaginary Characters into the dramedy which held as much (or more) court as their human bandmates. Dr. Funkenstein, Sir Nose (and Sir Nose, Jr.), Mr. Wiggles, Star Child, Sir Lollypop Man (alias The Long Haired Sucker), Casper & Bootzilla (who were actual aliases of Bootsy) extended the Imagination and Mythology of P-Funk.

It’s a little know fact that George’s production of The Red Hot Peppers’ Freaky Styley that truly put the rockers on the map. His offshoot groups like Jimmy G & The Tackheads, various guest appearances with artists like Xavier and Thomas Dolby and P-Funk’s long standing association with Prince help solidify their into the souls of Funkateers forever.

4) Expanding Narratives. Along with the creatures, real and imagined, are the vivid stories of a Chocolate City & its Vanilla Suburbs,an excursion through Downtown Bimini Road, the humiliation inflicted on Sir Noze utilizing the Bob Gun, the Essence of the Flashlight, the horror of America Eating its Young, Vietnam atrocities outlined in the Electric Spanking of War Babies, the sterile work ethic of the Children of Production in Dr Funkenstein’s laboratory and ultimately, the Landing of The Mothership continue to engage those new to the notion of Funkadelica.

5) Vital Visuality. Cementing the P-Funk Brand are the Neo-Psuedo, Part Comic Book/Part Novel Album Covers, designed by Pedro Bell and Overton Lloyd which carried over to the Chaotic Circus-like Concerts, where the clothing ranged from the Diaper Laden Shider to any number of Indians, Furry Space People, at least one Indistinguishable Animalistic Alien and a Sheet Wearing Clinton dominating the Stage.

6) Enchanting Motifs. Stopping the Show and shouting “Think…It Ain’t Illegal Yet!!” for 37 non-stop minutes reminded You of Where You Were and Why You Were There! “Gagagooga, gagagooga, gagagoogaga!” “Ha da da dee da hada hada da da!” “One Nation Under A Groove, Gettin’ Down Just For the Funk of It!” and countless chants uttered under the breath of bankers and executives in boardrooms, is foundational to the genius of P-Funk! You Can’t Help BUT Sing Along.

Equally Disturbing are the Infinite Infectious Bass Lines guaranteed to move ANY Head & Foot within 15 Feet! You Can NOT Resist (Even if You Don’t Particularly Appreciate the Song!) You Simply MUST Move! And With the Ever Present Spiraling Squigly Synth Lines Hypnotically Weaving Repetitive Motifs In & Out of the Groove, it’s Irresistible!

7) The One! Finally and Equally (if not most) Important is the P-Funk Approach to The One! Adapted from James Brown, who also accented the eagerly anticipated ‘3,’ P-Funk Stomped The One So Hard & Nasty, They Had to Write a Song About It! The One is the Nucleus of Every P-Funk Anthem.

A Famous George Clinton Chant is “It Would Be Ludicrous to Think We Are New To This, We Do Do This, This is What We Do!” Which is Precisely Why We’ve Been Diggin What’s Been Done for Decades and Why P-Funk is its Own Reward and remains in a Category of its Own!

I was Listening to George Clinton’s “R&B Skeletons in The Closet” while Composing this Blog.

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