Tag Archives: EntreMusician

Overstating the Obvious

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Music is Sacred. 

She embodies a Global Language. She is an Impenetrable Vehicle of Love, Harmony and a Universal Cadence for All Races, Cultures, Faith & Ages.

While Music has been utilized to transport Opposing, even Offensive Ideas, she has more often offered Transformative, Unifying Emotions which have helped Change Laws, Suspend Unhealthy Mores and Transcend Generations.

The Purest Music and the mediums which foster her beauty have overtime become reduced to Mere Commodity, Shadowy Spectacle and Decaying Dogma.

Opinions, Suggestions and Ideas differ, as they must in a Completely Free Society, but Pure Music, Art that Awakens the Mind, Encourages the Spirit and Stimulates the Soul, Inspiring Integrity is at best, rarely created, or at worst, strategically besmirched & buried, forced into obscurity.

Platforms for Salacious Sensationalism Rise above the Rhythms of Inspiration. One’s Image, their Ability to Seduce and in many instances flaunt the notions of Success, Materialism, Murder and Vice incredibly overshadows Every Child who picks up their instrument in wild eyed wonder, merely for the sincere Love of Musicianship.

School Boards routinely abandon Musical Instruction & Appreciation, yet Politicize Personal Agendas, ironically Wrapping their Message in Song. The Biggest Award Shows, Instead of Championing the Absolute Best Music has to Offer, cloak themselves in Social Justice Attire, Preaching a Global Construct of Vilification. Pure Music is Lost in the Conversation.

Ideas are Welcome, All Opinions for the Greater Good of Humanity Must be Honored, but the Sacred Grail of Pure Music Must No Longer be Contaminated by the Creators of a Higher Calling; the Musicians, Chosen to Shine, to Encourage, to Build, to Connect.

If You Are a Creator of Pure Music, Lift Your Voice. Use Your Instrument. LOUD & Strong. For the Sake of the Next Generation. Do Not  Allow Your Artistry to be Mismanaged by those who wish to use it for anything other than Your Flawless Authenticity.

No Matter what they Offer, It’s Not Worth the Price of Your Soul.

I was Not Listening to Any Music while Writing this Post, but I met a Pure EntreMusician, Ron James, busking in Atlanta’s International Airport last night. I bought his killer CD. You Should Too…

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Grounded with Wings (Scene One)

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Every EntreMusician grapples with the dichotomy of continually balancing Our Artistry with Our Business Acumen; Our Creativity with the Disciplines of Commerce. Among these Many Balancing Acts We Perform are the Internal Battles for Fame, Fortune & Prestige as the Flame of Integrity burns just as brightly.

We Note Our Faith, Convictions, Principles & Values Must Remain Pure, Resilient & Uncompromising while Simultaneously Pursuing Innovative Plateaus of Greatness. It’s a Thin Tightrope, especially in an Industry that has most recently Revealed the Underbelly of Scandalous Vice which has help Topple those at the Highest Peaks of Success.

No One is Immune from Temptation in its innumerable forms. The oft quoted “Everybody Has a Price” has been Proven True throughout Generations. Remaining Absolutely Authentic to One’s Artistry in the Face of Pejorative Manipulation has languished the underwhelming careers of literal Geniuses deserving of far, far more.

History is awash with African American Artists who had to ‘Play The Game’ in order to Survive. They smiled in the Face of Bigotry and often played some of the Biggest Venues they were Not Allowed to Eat or Sleep In. It’s A Thin Tightrope, now wrapped around the Necks of a Generation who Take their Clothes Off and Curse their Own just to reach #1.

It’s Decision We All Make as We Climb the Higher Ladder, Peaking Through the Curtain of (Com)Promise. What Do We Give Up as We Go Up? Would We and Should We Write Our Own Rules and Throw Off the Restraints of the Gatekeepers or Do We Climb Aboard the Trifling Train Destined to Take Us Down the Same Tracks of Destruction so many Tabloid Failures have Traveled? It’s a Tightrope…A Thin One.

Less Sales, Smaller Venues, Regional Notoriety, Fewer Streams, Obscure Downloads and Occasional Royalties VS The Opportunity to Look Yourself in the Mirror, Sleep Soundly with No Regrets and Enjoy the Love of a Stable Family who Respects and Cherishes You. This is the Choice of both the Many and the Few who remain Grounded With Wings.

Still in a Huge ‘The Crusaders’ Mode, I have been listening to all of the Vinyl I have on them – Wow!

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The New & The Now…

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At the inception of every New Year, we inundate ourselves with Great Intentions, Good Resolutions & Groovy Planners designed to encourage us on toward Grand Achievements.

Furthermore, we tend to be fascinated by “The New!” 
A New Year!
A New Day!
A New Beginning!
A New Journey!
A New Song! 

and On & On We Go, Optimistically Chasing toward the Future, without pausing long enough to realize that Immediately after the Big Ball Dropped, It Instantly Became NOW! 

Now is Not As Sexy, Attractive or Magnetic as NewNow reminds us that we have to Get the Stuck Up Off Our Butts NOW and Continue the Hard Work in Front of Us! Finish that Song! Complete that Mix! Practice!!

Now demands that we stay the course, because Now is All We Know and Now is All We Have!

Work Toward the New. Dream About It. Pray Into It. Plan For It. But Remember, New Simultaneously Morphs Into Now Every Second of Every Day.

Still in a Crusaders Mode, I was listening to “The 2nd Crusade” while posting this.

Download My Free EBook “50 Engaging Ways to Transform your Fans into Family!”

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Forget The Misses!!

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At the time of this writing it’s safe to confess that I’ve blown it no less than 1752 times or more in 2017, with respect to my Personal, Professional and otherwise Preferential Decisions and there are still a few days left in this year! Obviously I am not proud of these missteps, which have hindered certain goals and advancement, yet I have long since Learned to Value the Lessons Every Blur & Blunder taught me. Each Chastisement has brought with it the understanding that I should not Extensively Linger on the Embarrassment, Shame or Guilt, but Appreciate the Gift of Another Opportunity to try again.

Once an Unexpected Bomb has Exploded, Our  very next moves as EntreMusicians should be to immediately Confess the Transgression(s), Ask Forgiveness, Seek Reconciliation and Move Forward, or more succinctly as Bishop David L. Thomas teaches, “When You Mess Up, Fess Up, then Get Up!”

Most Creatives, because we ‘feel’ so dynamically often experience difficulty overcoming our oversights. We tend to get stuck in the “shoulda, woulda, coulda’s” which further Delay Our Progress.

Mistakes & Miscalculations are Sure to Appear in the Upcoming Chapters of Our New Year, unless You are one of the New Robots being introduced into it. Unfortunately, a few of your Most Well Engineered Plans & Strategies May Not Perform as well as You’d Hoped, often Depending on Circumstances Outside of Your Control. Perhaps a Personal Misunderstanding Bangs a Huge Dent in an otherwise Vibrant Relationship, which as a result becomes irreparable. As long as You Know Deep Within Your Spirit that You were Not Malicious in Your Initiatives AND You have Taken the Sensitive, Appropriate Steps to try to Rebuild the Breach, albeit to no avail; You Must Move Along, Tears and All.

Remembering to Forget the Misses while Learning From Them is the Tightrope EMs are Destined to Walk. Don’t Get Stuck in the Mire. Make Adjustments. Tweak. Course Correct with Shoulders Back, Head Held High & Most Importantly, a Pure Heart. Once You’ve Sincerely Sought an Acquittal, Forgive Yourself!

A Wonderful Book, “Failing Forward” by esteemed Leadership Author, John Maxwell Goes Much Deeper and Helps the Healing! Enjoy!

I Wish You An Incredibly Prosperous, Blessed and Joyous New Year!

I was Listening to The Crusaders’ “Unsung Heroes” on Vinyl while writing this…

Grab a Copy of My Free E-Book “50 Engaging Ways to Transform Your Fans into Family” at  The EntreMusician.com

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Forget The Critic!!

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Firstly, A Blessed & Joyous Christmas to Each & All!

Last We were Together (I’ve missed a few weeks) we suggested that since Every EntreMusician’s True Motive is to Compose His or Her Song completely from their Heart, Essence & Truth, then they Must  Adopt the Initiative to Forget The Hit!

Hit Songs Come and Go. Standards Transcend Generations. Smokey Robinson’s Great-Great Grandchildren should never be poor!

Today, we set forth a necessary secondary principal that urges you to abandon relying on The Critic to either Define You or Dictate to You What You Should or Must Sound Like to “Make It.”

While Garnering Great Reviews for Your Latest Project has its merits and You’d certainly want to see Favorable Appraisals of Your Work, You Don’t Want to Lean on the Analyst’s Voice or Pen to Guide You! I Learned This the Hard Way – Actually In Reverse – When SounDoctrine’s “INSPIRE” CD accumulated a ton of Wonderful Reviews, but little to no sales…and the total truth is, I had paid for None of Them! Somehow in trying to build upon the foundation we’d created with “ENDURANCE” while expanding our ‘commercial appeal’ I completely lost track of the Goal for the Glory.

I Certainly am NOT Hating on the many gracious Reviewers out there. I once was a Critic for a Jazz eMagazine and was blessed to be able to recommend a number of truly great Indie Artists. I did it out of the love for the music and was always respectful to follow any injurious comments I might’ve had with a note of encouragement. It came to the point where I would not review any material I felt I could not be kind toward, which began to denote bias on my part, so I quit. Many Reviewers share this struggle.

Your Purpose as an Artist Must be Grounded in Understanding that You Most Certainly Will collect Brutal Criticism from those who Don’t Know You, Understand You or are totally Unable to Envision Your Platform and it’s OK. Your Music is NOT for Them!

At the heart of the Christmas Story is a King, born in a filthy manger, who while going about Doing Good was for most of His Life was despised, hated and ultimately murdered by the critics of His day, brought forth through His Resurrection the Greatest Gift the world could ever receive; Eternal Life!

So Go For It!

Get My Free E Book at www.theentremusician.com and Join the Conversation brewing for 2018!

I’ve been in an Azymuth mood again, so while writing & posting this, I’ve been dropping all of their albums on the turntable!

Check Out their cover of Marvin’s “What’s Goin On”

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Forget The Hit!!

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On & Offline there are No Shortage of Classes, Courses & Conferences which Advise, Train and Teach Formulas & Techniques for Crafting “HIT” Songs that ‘Stand Up’ to Industry Standards! Equally, there is a plethora of AI Software available which analyzes Million Sellers from the past 50 years and Recognizes the Keys, Characteristics, Structural Components and Chord Progressions for us to Copy & Duplicate Our Own Smash!

While Writing a Song that Everyone Loves, Admires, Appreciates and Will Buy in Droves is a Worthy Goal of any Songwriter, You can bet that the Core Motivation of a Smokey Robinson or Dianne Warren wasn’t the Immediate Hit (albeit it became the end result). They were seeking something deeper. Their Aim was Timeless & Transformative Compositions. Often, the Songsmith is Expressing his/her Emotion to just One Person, Bearing their Total Soul, only to discover that their Transparency is Universal.

For the EntreMusician who Writes their Own Material, the Primary Intent Must Be Truth.

Conveying Anything Less and Merely Imitating The Flavor of the Day may Cause a Current Splash, but often Short Circuits the Ripple Effect. Our Goal is to Create an Ardent Cult Following,  A Tribe, A Community or Family that Will Pursue Our Music, Learning Every Lyric and Lick regardless of Airplay or Anonymity.

James Taylor, Carly Simon, Kenny Loggins and Joni Mitchell have all written masterpieces that were never released as singles. Any Loyal Funkateer  sings along loudly to the most obscure PFunk Anthem. The Incredible Frankie Beverly has written some of the most enduring R&B Ballads on the planet for the last 40 years and as of this writing has Never Won a single Grammy! Yet His Legend Looms Large and His Melodies are Bone Deep.

Methodically Build Your Audience and Your Discography. Your Career Will Thank You, Even if It Creeps Along Slower than You’d Like. Treat Every Song Like the Masterpiece It Is. The Endurance You Secure will Sustain You Long After the One Hit Wonders have Vanished into Obscurity. Purpose Your Music to Transcend Generations.

This is Not to Say that as a Serious Composer You Shouldn’t Appropriately Work and Shop Your Songs to the Right Connections, Making Certain Each One  Addresses the Appropriate Level of Appeal – But, Never Mistake Hitmaking with Making a Lasting Impact!

Forget The Hit! Change a Life!

Download My Free E-Book: “50 Engaging Ways to Transform Your Fans into Family” at TheEntreMusician.com

I was listening to Con Funk Shun’sLove Shine” on Vinyl while posting this.

A Great Documentary to Check Out This Month is “Muscle Shoals

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30 Proven Psychological Prefixes for Producing Your 1st (or 1001st) Band

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EntreMusician’s Note: These Tips Apply ONLY to Producing Bands Other than You Own (which are fraught with their own set of zany fortuities!) Equally, This Advice May Not Work on Singers who happen to Be Solo Artists. Countless Articles have been written on Producing Up & Coming Divas; None of Which are in Agreement…These have been written to Prepare Yourself Adequately Before the Project Begins!

  1. Pray or Drink Heavily Beforehand (According to Your System of Faith)
  2. Only Talk to The Leader(s) of The Band to Decipher & Determine Goals 
  3. Do a Thorough Inventory of The Band’s Gear
  4. Know Your Own Gear Inside and Out
  5. Prepare a Flowchart of Microphones You’ll Need for the Sessions
  6. Own / Upgrade to The Most Quality Pre Amp You Can Afford
  7. Get a Non-Refundable Deposit
  8. Spend Several Days Listening to The Band’s Demos (If They Exist)
  9. See Them Perform Live
  10. Look For The Real Leader of The Band as You Witness Power Struggles
  11. Spend a Pre-Production Day Getting Great, Natural Drum Sounds
  12. Go Do Likewise with the Bassist
  13. Prepare Comprehensive Track Sheets for the Entire Session
  14. Determine the Emotional / Mental Stability of the Lead Singer and Massage It
  15. Review Your Written Production Agreement. Keep It Handy
  16. Never, Ever Use Cheap Chords
  17. Discover The Weakest Players (They’ll Be Easy To Spot Even Before Picking Up Their Axe) And Loudly Encourage Them in Front of the Others
  18. Rehearse The Band for Three Days to Get Sketch Recordings. Keep Them, You May Need to Use Them Later for Almost Anything…
  19. Help The Guitarist Decide Which Four (4) of the 27 Guitars Brought to the Session will Actually Be Necessary
  20. Create EQ & Compression Presets for Each Instrument & Vocalist
  21. Talk With The Real Band Leader and the Person You Originally Talked To and Make Sure The $$$ is Secure
  22. Learn Several Techniques that Keep Bass Players Calm and Apply Them Accordingly
  23. Vacuum Your Studio Before & After Each Session
  24. Do More Praying (or Drinking), but Not In Front of The Band
  25. Keep Your Harmonizer / Auto Tuner Ready and Active At All Times
  26. Discuss Music Theory Often with The Keyboardist in Front of the Drummer (It Makes Them Hyper Sensitive and they Play Better) 
  27. Make Sure Your Fire Extinguisher(s) Work
  28. Keep Your Hard Drives De-fragged and Uncluttered
  29. Hone Your Mediation Skills between the Real Leader and the Person You Originally Talked To When They Begin to Argue Over Absolutely Everything, Including Who Will Pay You
  30. Make Plenty of Back Ups

I was listening to “Underneath The Colours” by INXS on Vinyl while posting this 

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5 Mechanisms Which Make Mountains Out of Molehills

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Producers are Often Tasked with The Challenge of Sculpting Masterpieces Out of Minimal Talent. It’s Just the Truth. 

Often, Clients Approach You with Visions of Grandeur and Projects of Epic Proportions, but What they Actually Bring to The Table in Terms of Creativity, Skill and Experience Usually Pales in Comparison. The Contention is Amplified When the Blessed Souls Possess The Monies to Pay. In Cash. You Definitely Want to Pay The Bills, But Your Name & Rep are On The Line If You Don’t Provide Them the Record They Already Hear in Their Heads.

Sure, there is a Plethora of Technology that will Smash a Vocal into the Right Notes and Nudge the Drums into a Perfect Time Signature, but No Amount of Convolution Reverb, Compression or Wacky, Bounced Delay is Going to Compensate for a Lackluster Performance.

And it’s ALWAYS Going to Be YOUR Fault when You Playback the Take. Many Singers have Only Heard their Vocals in the Shower, Car or Garage with the Rest of their Band through Loud, Over Equalized PA Systems that Have Not Told Them the Truth. So When Your U-87 Unmercifully Reveals the Flaws and Cankers in their Nasally Throat, Prepare For War!

Many a Producer Friends I Know Cram Psychiatry on the Side, Ready to Soothe the Savages, but a Few of Us have Learned a Five Principles to Employ Prior to Pressing Record.

1. Find the Gold in the Dirt

Believe Me, It’s in There and Not So Hard to Locate, if You Know Where to Look. The Way a Word is Enunciated or a String is Unscrupulously Plucked or the Way the Drummer Smacks Her Hi-Hat Every Fifth Beat Can be Transformed into Some Interesting Accents.

2. Strip It Down

Help Your Artist Dial Down the Notions of a 72 Piece Orchestra Until They’ve Tapped into the Techniques that Make their Tunes Tick. Spend Three Days Alone with the Main Instrumentalist / Vocalist Recording & Re-Recording Their Arrangements so You Can:

a) Allow Them to Get Used to Focusing on Their Own Playing & Parts and to

b) Begin Building the Song Around Their Foundation.
3. Refuse to Baby Them

Holding a Guitarist’s hand through a Take is One Thing. Nursing them is Quite Another.

Don’t Take Attitude or Temper Tantrums Lightly. There is No Amount of Money You Can Pay Me to Eat Someone’s Crap.

Their Deposit, Minus Time Spent is Always at the Ready to Return. The Producer has been Hired to Lead the Process and Often Lives It Well After the Session is Finished. If You are in a Business where You are Recording Two or More Different Clients / Bands in One Day, You Don’t Need One Prima Dona’s Debilitated Dysfunction to leak into Your Next Session.

Worse is when You return to Mix, you’ll often find that the Messy Mood was Recorded and Can’t be Edited Out… My Ace Engineer & Friend Jerry Thompson Once Encountered a Beautiful Songbird who Sang Exquisitely, Destined to be a Future Star, but Displayed such Snotty, Condescending Behavior, We Promised God and Each Other We’d Never Work with Her Again and Haven’t.
4. Pull Out All The Stops 

It’s Highly Probable that This Session Reveals that the Challenge is Focused as Much on You As it is On Your Client. This is the Zone where You, Yourself Must Stand and Deliver. How Creative Are You? Are You Able to Massage that Subpar Bass line into a Grooving Pocket or Nudge those Nervous Sax Noodles into Ferocious Roars!

You Have The Power, Mr. & Mrs. Producer, of Patience, Persuasion & Perseverance. Remember, You’re Always Beginning with a Blank Canvas. Your Unique, Steadfast Ability to Build upon the Blocks Given You is the Real Magic that Turns Songs into Standards.

5. Always Tell The Truth 

Sometimes, The Musicians, Singers or the Song Just Does Not Cut It and there is Nothing You Can Do. Recognize It and Bow Out on the Front End. If Asked, Provide Your Expertise with Grace & Truth as to Why The Project Won’t Work. Unless You Like Making Enemies, Don’t Recommend Them to the Producer Across Town. Give Them a Timeline in which They May Be Able to Return and Try Again and Then Shake Hands and Walk Away. They Will Grow to Respect You For Your Honesty and in many cases will become Better at their Craft If Only to Prove You Wrong, which is Still a Very Good Thing!

I Was Not Listening to Any Music as I Composed This Blog. I Wish to Dedicate It to The Memory of My Dear First Cousin, Lori Jean White, who Passed Away Peacefully Last Night…Sleep on Sis!

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EMOTIONAL PRODUCTION

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The Approach to Music Production is just as Multidimensional as the stars in the heavens.

As I leaf through Rick Clark‘s over sized Mixing, Recording and Producing Techniques of the Pros,” it’s fascinating to explore the psyche of these Masterminds and Gauge their Approach. Obviously as One Not Yet Included in such a Stellar Institution of Greatness, albeit hopeful, I am Grateful for Every Opportunity to Produce Outstanding Songs by Serious Artists of Various Genre.

At the Genesis of Every Session, the Fundamental Framework I Build Upon is the Emotional Journey the Listener will traverse as the Song is Played. My Goal is ALWAYS to Reproduce the Exact Feelings of Joy, Anger, Sadness, Betrayal, Devotion, Militancy, Encouragement, Strength, Remorse, Warmth or Flavor the Songwriter(s) Intended to Convey. One Million Repeated Listenings of the Recording Must Evoke these Same Emotions, or I Have Failed, whether the song Sells One or One Hundred Thousand Copies.

I Perceive My Position in the Studio as Tour Guide, Ushering the Musicians, Arrangers, Vocalists & Engineers through an Expedition of Finding Moments. Every Chosen Person, Instrument, Sound, Note, Effect & Ambience will lend itself to the Nuance of Multiple Moments, Creating Symbiotic Memories that Outlast Lifetimes. Those are the Snapshots that Take Your Breath Away and Force You to Immediately Rewind the Song or a Section of the Tune to Allow Your Brain to Process What Your Heart Just Heard and then Begin Again.

Perhaps I am being melodramatic in My Interpretation, but I Offer No Apologies. Often Before Discussing DAWs, Plug Ins, Mic Techniques, Mixing & Mastering and the Usual Banter with Various Producers, I am Always Most Interested in the Range of Emotion sought after and how they wished to reveal them, even (especially) if they’ve chosen some Non Traditional or Outdated Means to Do So. In Berry Gordy‘s autobiography “To Be Loved,” he talks about how the Classic Motown Producers used to sit around the table and Vote On the Upcoming Release. Mr. Gordy stated the Main Question asked would be ‘If You Were Starving and Only Had Enough Money to By a Sandwich or This Record, What Would You Do? If the Vote was for the Song, They’d Release It! Hence the Company’s Enduring Legacy.

David Byrne confesses in his book “How Music Works” what most Producers already know. A “Tight” Recording or Performance has Nothing to do with Meter. It has Everything to do with The Groove! Singing or Playing in Front of or Behind the Beat or Harnessing a Vibe as Sloppy as Gravy Foaming Down a Mountain of Mashed Potatoes Feels as Wondrous as Classically Trained Precision if You’ve Channeled the Proper Emotions.

God Bless the Sacredness of Music Production and the Solace of a 3AM Session where the Sweat is Soaking Through the Walls…

Here are a Few Examples of Moments I’m Blessed to Have Captured:

Hermeneutics (SounDoctrine feat. Keith McKelley, Cliff Barnes, Derek Dixie & Paul Douds)

Meant2B (SounDoctrine feat. Keith McKelley, Stefano and Jazmine)

Source (SounDoctrine feat. Michaela Write)

Maranatha (SounDoctrine feat. John Thomas)

Stop On By (SounDoctrine feat. Eric Tyus)

I was Listening to “Elegant Gypsy” by Al Di Meola on Vinyl while composing this blog…full of Multiple Moments!

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The ONE Thing…

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Much Love and Many Prayers to the Victims and Families who Lost Loved Ones in the Senseless Las Vegas Tragedy. My Heart Goes Out to All.

During September, we discussed Four Avenues EntreMusicians are able to Journey and Advance through simply by Applying Ourselves and Owning the Occasion. Just BE!

My Focus Today is to Zero In on the Truth that the Most Successful EMs, once Defining & Honing their Niche, Strengthen their Artistry by Building a Brand on One Singular Component. Just because we possess the capacity to perform 20 tasks simultaneously does not mean we should. Nor should we attempt to be known for more than One Great Consistency (think Michael Jordan in Pro Baseball), unless our Multifarious Talent IS The Brand (Think Prince).

Develop & Grow Your Specific with Eagle Eye Precision & Dedication as It will be that One Thing that People will Remember You for after you’ve left Our Planet. If for some reason folk should Remember You for Two or More Qualities, it’s most likely because they are corresponding, like “Husband & Father,” “Scientist & Researcher” or…”Multi-Instrumentalist.”

I Constantly Ask Myself if I Am a Composer // Music Producer // Drummer // Booking Agent // Manager // Actor // Event Coordinator // Publisher,  all the while maintaining my identity as Jesus Follower // Lori’s Husband // Father of Three Daughters // Pastor // Bible Teacher.

My Personal Identity aside, I Am Foremost a Music Producer. As an EntreMusician, this is the One Area I Continue to Maturate. Constantly Working with Extremely Talented Songwriters, Arrangers, Vocalists, Musicians, Artists, DJs, Engineers and Technicians Provide Me Exceptional Outlets to Experiment & Improve My Game. Interestingly, I Live & Think as a Music Producer in Every Area of My Life, especially as a Pastor – but that’s another blog…

What About You? What’s the ONE THING You Work At Harder than Any Other and Wouldn’t Mind Being Remembered For?

I was listening to Dave Grusin & Lee Ritenour‘s Exceptional “Harlequin” on Vinyl while composing this post.    

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