Category Archives: Publicity

THE PLAN UNFOLDS…

If You Were Unable to check out last week‘s post or perhaps even the week prior, you may wish to begin there to understand the need for the New Plan…

The Problem is too well known. Music Lovers have been Conditioned to Believe that Music is (or should be) Free. The CD is Dead. The Download is Dying. Presently, Streaming is King and the Existing Platforms are controlled by Corporations earning Billions of Dollars via $9.99 Subscription Fees with music served up ‘Buffet Style’ or what Dave Kusek long ago termed “Music Like Water.” This practice is now a decade old…

BUT, to quote his Royal Purple Lateness, “The Baker ain’t makin’ No Bread!”  but The Corps are and this particular EntreMusician is long growing weary of hearing moans & groans of heroes past and present protesting, instead of rerouting the flow of their own dough.

The Plan is Simple. Systematically Remove Our Music from Places that Don’t Pay and Replace in Our Own Formats, On Our Own Platforms and Do The Hard Work of Rebuilding & Re-Educating Our Own Tribes to Gather & Party in Our Own Backyards.

Every Musician has a Website, and Every Website hosts a server which allows Us to Upload & Sell Our Media. Most Allow Us to Set Our Own Prices and since we generally pay them a fee, they do not take a Percentage of Our Earnings (Most go directly to a PayPal Account).

With that said, the technology exists for the EntreMusician to begin offering a Personalized Streaming Service. This May Sound Oversimplified. But It’s Definitely Doable.

Three Key Components are Needed to Construct the Foundation.

The First Component is Confidence. Bands, Musicians, Artists, Creatives MUST Know & Understand that Our Work is Important and Fulfills a Major Need in Life which has been earning Multi Billions since the 1970’s – but for whom? Anyone of Us who’ve taken the time to learn all of those Major 9th Chords and spent Countless Hours Practicing Counter Para-Diddles can buy a copy of Quick Books and do a little accounting! We Can Do This!

The Second is Unity. As with Any Call for Solidarity, there will be the Silence of those who Wish to Wait & See, all the while bemoaning the $0.0007 royalty check sent to them by Spotify!

The Final Component is Bloody Knuckled Hard Work. An EntreMusician is a Forward Thinking, Effective Creative with “Results” as our Main Focus! Nothing Less Will Do. Perseverance, Endurance and Sweat. The Fans Won’t Just Flock to Our Website. They Won’t Just plunk down the Micro-Payment to PayPal. BUT, If Our Music is Important Enough to Us and We Develop the Courage, Determination and Marketing Ability to Persuade, WE CAN Engage and Create Our Own Thing and Not Need to Answer to Anyone.

That’s How It Get’s Done!

Let’s Begin the Real Conversation or Quit Crying!

My Old Sony 200 Disc CD Player was spitting out the Funk at Random upstairs, while I was posting this – I was also engrossed in the Free Webinar by Dave Kusek who was interviewing Dave Cool from Bandzoogle – and I presented the question to the chat room which was asked On Air. Thanks Chelsea! 

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The Psychology beneath The Philosophy

Last week I targeted the Next Battleground facing EntreMusicians. Even this Morning, My Inbox was replete with Nasty Headlines on Google Music, YouTube & Spotify, with regard to Piracy, Royalty Fairness and the Scores of Angry Superstars upset with the status quo.

I’ve pretty much had it. I am formulating a Plan with My Team & I and  will be sharing with you in the hopes to create a dynamic which will champion Our Artistry and Recapture the Music.

Beforehand, I Must disclose the Imagery and Concepts We Are Discussing. The Plan is Not Perfect and is already rife with its share of challenges, but contains Very Necessary Components in which to Move Forward. The Process Begins Within.

  1. Absolute Fearlessness. I recently read an e-book by a certain music marketeer who bluntly stated that since the current streaming genie is out of the bottle, never to return, all artists need to quit whining and complaining and just conform, posting their music as many places as they can “for the exposure” and should be giving as much music away as they could. Mind You, His E-Book cost $5.00. EntreMusicians at Levels Must Begin Refuting this Nonsense Vigorously, although the Marketing Dollars Are Against Us. If we Truly Worked Extremely Hard – And Are United, We Can Completely Change The Game. That Little Fear Monster that just whispered to You that ‘It Can’t Be Done,’ Needs to Die the Death of Disco!           
  2. Define Your Own SuccessKnowing Your WHY is the Single Most Significant Factor of Your Entire Career and Your Life! Bob Dylan, Joan Boaz and Others began Writing & Singing for Completely Different Reasons than Lionel Richie, Stevie Nicks or You and I . Each had/has different audiences, levels of success, notoriety and platforms. Adjust Your Career Accordingly. Know EXACTLY What Your Art Is, Who Its For and Why You Occupy this Planet! Your WHY will save you from Unrealistic Expectations and – worse – Someone Else Telling You Whether or Not You’re Successful, based upon another Artist’s number of Downloads or Streams. Do YOUR WORK!                                                                                                                                                            
  3. Place Immediate Value on Your Art. While the Old Adage holds true that any item is only worth what the buyer is willing to pay, the EntreMusician is still responsible for Setting a Price. WHO Set the $0.99 price tag per download? You or Apple? Is Your Song Worth More? Who set the price splits between the Company and the Artist? Certainly Not the Artist. Have You Ever Asked Why – or More Importantly, WHY THE (MILD, GENTLE EXPLETIVE) NOT?   Yet, if You Formed Your Own Platform where You set the Price Point, perhaps lower, on some of your Art than current market price, but you were able to keep all of the pennies, how much quicker would you make and sustain a profit?                                                                                                                                                   
  4. Network. Unhealthy Competition is a tool of The Devil in the Arts. There is Someone in Your City, State, Genre and Demographic who is doing the Exact Same Thing You Are. Build a Mastermind Group, Form an Association or Guild. Target the Promoters, Venues and Agents in Your Area who are Unfair to Musicians and Collectively Avoid Them. Create Platforms that Engage Your Fans on Alternate Levels. Create Your Own Festivals and Invite Bands of Similar Style, Principles & Values. Work Together! Play Together! Sing & Dance Together!                                                                                                                                                                                                                                                                     The premise of My Team’s Plan stands on these four tenets, plus another component I will discuss next week. Currently we are setting up a new website, theentremusician.com which will be up and running in about two weeks and we can begin this work together. I trust I presented thought provoking situations to engage you in the conversation. Let’s create a dialogue to further think through these and other initiatives as they arrive.                                                                                                                                                                                                                                                                         Let’s Change The World!                                                                                                                                                                                                                                                                                               I was Listening To Azymuth’s “Cascades” on Vinyl while creating this post.
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Walking Away…the sequel

Last Week, I transparently shared about a project I needed to dismiss myself from. I appreciated all your feedback on where you’ve too needed to do the same. This week I set forth a Different Scenario where saying adios is the Very Thing to do to Live Your Best Life, Personally and Professionally.

Before I begin, please know that I must be as generic as possible in my descriptions to protect the anonymity of this individual. In no way do I wish to cause embarrassment or to speak ill of this musician’s person. I highly respect their talent and genuinely love them. My goal in this post is aimed toward providing Encouragement & Advice to All EntreMusician’s based upon my Knowledge and Experience. My Convictions about Commitment Run Deep and My Persona is that I never wish to Walk Away from Anyone or Abandon Any Project without cause, but I have learned that beating dead horses attracts more flies.

I hired a True Gunslinger for a recent gig. All the Chops and Acrobatics included. Ironically, they were to replace Another Musician who could, but would not adhere to our agreement, so I had to bid them ado. The Gunslinger provided every indication that they would Learn the Material, Attend the Rehearsals (which were to be paid) – and the performance itself. Great!

The First Rehearsal was missed, but I was extended the courtesy of forewarning three days in advance. The Second Missed Rehearsal came with a 24 hour advance notice, but I was assured that the Music was already learned and they were ready to go. On the day of the Third and Final Rehearsal, not only were they 45 minutes late, but showed up without their instrument…one was provided, but was needed for another part of the rehearsal session. And then there was this Attitude. As if the other musicians in the room were somehow beneath the Prodigy, there was very little engagement to the point of being offensive – not in words, but in the air – you dig what I mean?

As a Man of Faith, I later contacted the individual, expressed my concerns and prayed with them for Spiritual Clarity and Collective Integrity. I then did the same with Each Musician so we would All be on One Accord.

I am grateful I was Prayed Up for said Performance as I needed to be totally prepared for what was to come. I received a call around Sound Check from the Absentee with a question about the Sheet Music previously sent. I was told they’d prepared extra copies to bring. No Mention, however of when. I should have asked…

As we assumed the bandstand two minutes before Showtime, I made my MD aware that he would have to play the part of Two Musicians when the time came to do so. The venue owner was not amused. The club was jam packed, and even if/or when the Unfaithful were to arrive, there was no way to safely get their gear to the stage, as it was surrounded by the paying patrons. This was to be a straight up concert presentation, without breaks.

We Agreed to Grace the Missing Musician with Another Ten Minutes, which still didn’t prove enough, so we began. During the Final Chorus of the Second Song, I noticed Gunslinger had arrived and assumed another musician’s instrument and we continued with A Show – but not the one we had rehearsed and planned for. Praise The Lord our Audience was unaware, thanks to the brilliant musicians Gunslinger had offended the week prior.

I paid the Musician in full for the show, minus the rehearsal portion, ignoring the flood of excuses of why they simply could not arrive on time. I later contacted them by phone to express my heart, disappointment and desire to remain friendly. I will, however, never hire them again. Another Appropriate Place to Walk Away From.

 

I was listening to “Jasmine” again by Keith Jarrett and Charlie Haden while I typed this. A Most Calming Piece of Music which has ever existed. 

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HELP!!!

One of the most Deceiving Characteristics lurking beneath the Soul of any Creative is the illusion that because He or She is gifted with Extraordinary and even Supernatural Skills, is that they will become Successful on their Talents alone.

Nothing is further from the Truth and it’s often nauseating to watch that tiny demon grow into a raging monster until the Extremely Anointed Artist/Singer/Musician either Wakes Up to the New Reality or Self Destructs. We’ve seen many illustrations of both.

The EntreMusician is only as strong as Their Trusted Team, without whom Nothing Important is Accomplished. The best advice is to surround yourself with people who know far more than you do about Finances, Legal Matters, Marketing, Promotion and Business Management. This Frees You to Explore & Exercise the Art you’ve been entrusted to Steward and Share with the World.

Don’t Be Proud and Stupid!

Yell, Scream and Seek Out HELP!!!!

I was listening to Andreas Vollenweider on vinyl while creating this post.

Dated VS Timelessness 

Dated chases Fads, Trends and the Latest Fashion

Timelessness contains Innovation, Creativity & Will

Dated is based on Beats, Loops & Sampling

Timelessness maintains Harmony, Natural Rhythm & Melody

Dated fluxes Gossip, Heresay & Innuendoes

Timelessness sustains Truth, Principles & Wisdom

Dated vacillates Fame, Fortune & Fears

Timelessness breeds Encouragement, Wealth & Security

Dated is Upgradable Technology 

Timelessness is Ever Expanding Imagination that can’t be Bottled, Bought or Sold

Dated are One Hit Wonders

Timelessness is Music that transcends Generations

Dated is Hatred 

Timelessness is Love 

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32 Particulars of Putting on a Show

  1. Make Sure All Band Members Are Available
  2. Make Sure All Band Members Are Available for All Necessary Rehearsals
  3. Make Sure All Band Members Are Available to Show Up for Rehearsals on Time and Rehearse throughout Allotted Time
  4. Make All Band Members Know the Songs to Rehearse , So Rehearsals are not spent Learning the Material
  5. Make Sure Promoter Promotes The Show
  6. Make Sure All Band Members Promote The Show
  7. Make Sure You Proofread All Press Releases before Sending Out
  8. Make Sure You Speak to & Send Input List to Sound Guy/Gal at Venue
  9. Make Sure You Are Able to Sub Out Missing Band Member with Musician of Equal or Better Skills
  10. Make Sure You Clearly Articulate to Each Band Member the Importance of Punctuality at Rehearsal, Sound Check & Gig…
  11. Make Sure Promoter Includes Social Media in their Promotion
  12. Make Sure Someone on Your Team Follows Up with Promoter
  13. Make Sure You Promote Show and Monitor Ticket Sales
  14. Make Sure Links to Online Ticket Sales Actually Works
  15. Make Sure You Record The Band Rehearsals and Email Tracks to Band the Next Day
  16. Make Sure You Hire a Good Videographer for Show
  17. Make Sure Videographer Knows Exactly what YOUR Vision is for Show
  18. Make Sure You Follow Up with the Sound Guy/Gal at Venue to ensure they have received Your Input List
  19. Make Sure All Band Members & Sub(s) Make Your Final Rehearsals
  20. Make Sure People Know About The Show
  21. Make Sure You Follow Up with Those who’ve received Your Press Release
  22. Make Sure You’re Prayed Up before the Next Rehearsal
  23. Make Sure You’ve Received a Deposit from Venue by Allotted Time Agreed
  24. Make Sure You Clearly Articulate to Each Band Member the Importance of Smiling and Engaging from the Stage
  25. Make Sure People Are Buying Tickets in Advance
  26. Make Sure You’re Not Above Begging Family Members to Please Buy Their Tickets in Advance
  27. Make Sure You Are Able to Forgive Quickly
  28. Make Sure All Band Members Have Spare Reeds, Strings, Sticks, Etc…
  29. Make Sure The Person Following Up on Promoter is also Promoting
  30. Make Sure You Relax, Smile and Enjoy Each Moment. The Next Gig is Nigh…
  31. ______________________________________________________   
  32. ______________________________________________________ 

I’d Be Really Happy if You Fill Out The Final Two!

SounDoctrine is at Night Town Cleveland on March 25th – Great Jazz on Good Friday!

Get Your Tickets Now at http://bit.ly/BuySDNow 

I’ve been listening to Earth, Wind & Fire for the last two weeks. I don’t know when I’ll stop…

 

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The Opportunity in the Obstacle

Obstacles are a Regular Diet of Every EntreMusician’s Life. They are Unavoidable, often Unpredictable and always present hidden Opportunities. Along with the stress that comes with Each Obstacle are Moments to Choose whether to Freak Out, Give Up or Turn Bitter in the process, instead of Zeroing In on the Possible Benefits this Obstacle offers.
I Must Admit that I have done All of These. 

Call it Age, but lately I’ve forced myself to stop and answer the question “What Does This Mean?” right at the crest of every perceived Obstacle. Whether it’s Lack of Resources for a Certain Project to downright Opposition while Carrying out a Goal, if we can Quell our Emotions, have a Team pow wow, or do Personal Introspection to Ask Ourselves the Meaning Behind the Obstacle, we create a Clarity that Allows Us to Better Focus on Acheiving Our Accomplishments. 

In Fact, What I Am Learning Most about My Most Recent Obstacles is that they were more about ME than the Thing, Person or Situation that presented itself. If I Did Not Plan or Execute Properly, I Invited the Obstacle. If I Do Not Adequately State My Goals or Explain to My Team Expected Intentions & Results, I Should Expect Obstacles. 

But What if I Did Do All of the Above? What if My All of My Ducks are in the Provrbial Row? I Immediately Stop Asking ‘How’ this Happened and ask ‘Why’ Questions- which are More Personal and Less Technical. Obviously, a Personal Lesson is Attached and I Need to Open Eyes & Ears and Learn The Lesson.

I Have Not Been Able to Overcome Every Obstacle. Often, I’ve had to work Underneath, Beside & Through the Obstacle. But the Perspective I’ve gained from being “Up Close & Personal” with the Adversity has drawn out a greater degree of Creativity, Perseverance & Wisdom that I would not have gained otherwise. Additionally, Some Obstacles have brought Absolute & Generous Blessings to My Family & I – Opportunities I Would Have Never Walked Into had I just stood there and cursed the blasted thing! 

Many of Our Greatest Opportunities Are Disguised as Obstacles. This Thought does not Minimize the real pain each can bring us, but the Hurt doesn’t have to Harm if we look the Issue dead in the eye, analyze it for what it is and formulate an appropriated response, all the while gritting your teeth and buckling up for the interesting journey ahead.

I’ve been Very Intentional to not discuss specific experiences here, as there are More than Many and I’d be here till Next Thursday trying to explain a few! Like any other EM, I’ve Blundered & Blown It, but Because I Am an EM,     I Learn and I Move On…

Keep Your Head Up!

I wasn’t listening to any music while wrting this, but Jon Thomas & I just collaborated on a track called “Maranatha” that I’m gonna finish tweaking as soon as I post this!

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The Art of the Interview

Inevitably, all EntreMusicians will need to interact with Multimedia to Promote an Event or Project. I have been blessed to be able to have access to Radio, TV & Print in my region due to my involvement as a former Radio Producer for the legendary, late Dan Ryan Talk Show on WKBN’s 570AM. Although this has been decades ago, the Tips & Tricks I picked up by being on “both sides of the glass” have been invaluable in helping me spread my message. Here are a few things I have learned:

1) Have a Voice. 

Be Able to Stylize a Tone, Sense of Enunciation and a Presence that whether People are Able to See You or Not, they are Sure that You are You! I will Never Forget the Excitement that My Brother-in-Law, Phil The Beat & I felt as Teenagers when we heard our hero, Roger Troutman being interviewed on Cleveland’s Power 108, WDMT. And, he had his Talk Box with him on the Radio! This left an Indelible Impression on Us and We Could Not Wait to get his New Album and go to the show. Listening to Bootsy Collins was More Exciting than hearing Frankie Beverly interview, although Both of their Music remains as some of the Most Enduring of the Soul era.

Also, Intelligence Does Not supercede Style On the Air – if this is in line with Your Overall Imagery. Some Artists prefer to appear Downright Stupid, ala Favor Flav, because their image is what Moves the Sales. The important thing is to Know Your Voice and Always employ it while Branding Your Art.

I developed a “Radio Voice” before going to work on the Dan Ryan Show, as I was previously an On Air Gospel DJ at WGFT 1500-AM. When I am being interviewed on Radio, I often, ‘go there’ by default – but it sounds trite on Stage and on TV, so I’m more comfortable in my natural voice.

2) Possess a Look

Tape (Hard Drives) & Cameras are most unforgiving. Ditto everything I said above, but apply it to the Visual. Have Your Concept DOWN and make sure you get plenty of opinions and a consensus if you can’t afford a fashion designer. Not all Colors, Blends and Fabric are You – again, unless Your Act is Stark, Shocking or downright Disgusting. Making Absolutely Sure that You are Captivating on TV is far different than Your Stage Persona (unless you’ll be performing live on TV!) often EMs dress according to the Artisry, just keep in mind that People will be Looking a Lot Closer to You on their Big Screen, Deciphering Everything about You – a mole, crooked teeth, earrings, etc., because these features/flaws either bring Your Fans closer to you or alienate them. 

I recall how crazy I looked going on TV once to Interview with Sunglasses on. I was Naive. It Was Stupid! I think I destroyed the VHS!

3) Have Fun!

Once You’ve Established Your Voice & Your Visual, it’s time to Relax, Have Fun, Be Confident and Engage Your Artist. Too Many Musicians come off as if their Guitar Chops are as Serious & Important as the next missile strike in the Middle East. They present themselves as aloof, unapproachable with devoid of a funny bone. These decisions contain poison that both the Interviewer and their Public repel. It’s Not That Serious! Your Mission is to Make a Connection, not Create a Chasm. Even Prince learned to smile.

4) Share a Story.

Personal. Profound. Transparent. Everything is Not Perfect in Your World and No One Expects it to be. Identify Your Humanity and Relate to Others. Reveal  Mistakes that have happened on Stage or in the Studio, Your Daughter’s Favorite Artist (which is definitely not you) or why your Bass Player really needed stitches right after the show are all great topics. By All Means, Share Your Dreams. I Always Do. They Compel Others to Dream With Me!

5) Ask Questions

Yep. The forgotten Secret. Every Interviewer wants to be Involved in the Process. Some will out talk their guests. Others will be straightforward and just fire away (after all there are time restraints), but Don’t be Afraid to Trade Places. Don’t Make the Interview just about You & Yours! Expressing a Genuine care in those kind enough to give You Airtime gets You repeated visits, puts all the participants at ease and provides the Audience additional insight to the program’s host.

I frequently turn tables on Interviewers, especially when I am feeling nervous. It causes me to build some confidence when I see how others handle the unexpected question. I am able to Relax.

6) Know What You Are Talking About

There’s Nothing Worse than Radio Silence or the Proverbial Deer in the Headlights look. You Avoid these discomforts by knowing Your Art, Abilities and Industry. Keep the Dialogue Limited to What You Do Know and If You Don’t Know, Do Not Pretend. Also, Do Not Avoid the Question or Play Politician, Be Honest and Say You Don’t Know, You May Not Have Heard or are Simply Uninterested in Answering that Particular Question. And Smile.

I put my Size 10 & A 1/2 in My Mouth Twice On Radio when I Pretended to Know More about the subject matter. I tried to Play Expert in a Den of Experts and the World knew (at least that one) I Was a Fraud. I Avoided Mirrors for Two Weeks. 

7) Don’t Lie

Ever. 

This includes Exaggerations. Read My Experience Above – Again. 

If You’ve Only Sold 1000 Downloads, don’t make it 2000. How Many Accurate Unique Hits do you get per week? Be Accurate. Stay Honest. Avoid Hype.
8) Get Over Yourself

At the End of the Interview, the Conversation should not be “about” YOU, albeit concerning You, Your Projects, etc. You’ll Gain More Ground and Respect by Intentionally Making Your Airtime about Your Host, Sponsors, Fans and Most Definitely other Artists You Admire and have influenced Your Career. If there is a Ministry, Charity or Cause You Champion & Support, mention them. Always Be Charitiable & Generous in Your Positive Comments of Others.

Hope This Helps. Below are a few links to Interviews I’ve done, including my Very First TV Interview.

Explaining SounDoctrine on Loose Change: http://youtu.be/zHfaHWvnEzc

Once Upon A Madonna: http://youtu.be/h7dqD3k3lGw

My First Time: http://youtu.be/B8xE7aF8-zw

Radio – Randy Allar, The Fusion Show: http://youtu.be/oK7hSbenFHo

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Then When?

Many EntreMusicians are Professional Perpetual Procrastinators. You may practice saying that three times fast!

The Creative Inside Explores Each & Every Rabbit Trail of our Projects. Frequently We Stop/Start/Start Again or Run to the Other Extreme and Binge on One ‘Thang’ or One Specific Aspect of A ‘Thang’ until we have Massaged the Life Out of the Doggone Thang! 

Guilty As Charged.

Deadlines Do No Good when Music is Involved. 

I Must Listen to 9,874 out of 11,023 Cowbell Samples I have. And Don’t Get Me Started on Choosing The Right Kick Drum…

I Completely Obsess Over The Mix. I become too Preoccupied with Reverb & Delay Settings and More Often than Not, I find myself stripping the Song Back to the Bare Bones Time & Again, which provided the Original Inspiration and the Compulsive debacle begins again.

You Too, Huh?

It can get to the place where seasons will fly by and You (and I) are so involved in The Work, we ignore our Ultimate Goal of The Result! Obviously, I am not suggesting we corrupt the Spirit of Excellence or Perform beneath Our Peak. I am talking about our tendency to be so Pessimistic & Critical about the minor details that our Art lacks the Joy and Blessing it was intended to become. Berry Gordy used to say that he loved to leave mistakes in Motown Music (a young Michael Jackson shouting “Just look over your shoulders, honey!” on  ‘I’ll Be There‘) or My Friend & Fellow EM, Ohio Player Billy Beck screaming in the middle of “Love Rollercoaster” and leaving it In The Mix. DJ’s would later begin the rumor that a woman was murdered during the session! Talk About Emotion that produces Gold Records!

The point is to make sure we have captured all that needs to be in a compelling, thought provoking and engaging way and move on. Besides, there is ALWAYS the Remix!

But if you don’t Release It, Ship It, Launch It, Market It or Sell It While It’s Hot, Then When Will You?

The Truth is, There will Never Be Enough Money, or The Right Time or Season or Conditions or Circumstances or _________________________________________! Make The Decision. Get It Out The Door and Begin Again!

What I’ve learned to do is place Human Buffers in my life who have the Undisputed Right to begin Interrogation Procedures if they feel my Obsessive Compusive Behavior  (Note I did not say “Disorder!) is getting the best of me! My Co-Pilot Jerry Thompson, Executive Administrator Michaela Write and/or Beautiful Wife Lori can yell STOP at anytime and listen themselves to determine if I am over the edge. And I trust their ears!

I’d Love To Know Your Tips & Tricks to Getting That Thang Done!

I’d  Also Like to Know where you might be struggling!

Hit Me Up!

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Cloudy Collaborations

I Am Not The First to Ask these Questions, but EntreMusicians Should Ask them Frequently & Loudly.

Who Owns the Cloud? 

Who Manages/Controls the Cloud? 

Most Importantly, What is Happening to My Intellectual Property when I Upload to this Cloud?

As we already (or should) know, All of Our Pictures & Posts Uploaded to Facebook and other Social Media No Longer belongs to Us once we hit “Enter” on our keyboards. The Banking Industry is slowly, gingerly getting us used to Taking Pictures of our Hard Earned Checks and Depositing them, via their apps, while having No Idea How Many Eyes Monitor Our Accounts. And Are Our Smart TVs Watching Us?

I don’t think I sound like a Completely Wacked Out Conspiracy Nut…Or Do I?

As an Avid Collaborator with various Songwriters & Musicians, I am growing wary of a trend that most Music Software Companies, including my beloved Propellerheads (Reason) are beginning to engage in. Users of these various Composition/Sequencing Tools can now Collaborate, Interact & Upload their Music Online, much like Gamers have been doing for years. 

The difference here is that these Songwriters are leaving their Intellectual Property on the Servers of the Software Companies who can now claim the Songs as their own, since the Songwriter’s activities are being created in their sphere, using their products. Remember, You, the User, only License the Rights to Use their Software, You Do Not OWN It.

My Co-Writers & I utilize Old School Methods of Sending Files to Each Other, be it Online or Snail Mail. We Construct Appropriate Agreements with Each Other regarding Shares, Publishing and File the Composition with the Copyright Office and our PRSs accordingly. We Collaborate on assuring Every Single aspect of our “baby” is Protected & Provided for according to Traditional Industry Standards, albeit We Live in a Digital World. 

If You are an EM who sees a Stronger ROI in employong Cloudbased Collaboration, feel free to chime in and let me know Your Thoughts. I do appreciate a few aspects of Open Source Initiatives and Creative Commons Licenses. I understand that there are literally Thousands of Musicians who involve themselves at this level and I Am Most Definitely Not Above being Called an Outdated “Fuddy Duddy!” 

My Primary Concern remains in what happens to the Intellectual Property I am poised to leave in my Estate to my daughters and their subsquent survivors during the life of my copyrights.

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