Category Archives: Berry Gordy

The Only Two Things You Truly Own are the Only Two Things You Need to Succeed

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You & I Only Own Two Things.

Really.

That’s It!

2…!

Everything Else Can Be Taken Away in a Flash. Our Home could very well Go Up In Flames, even if We Burned our Mortgage years ago. Our Cars, Bank Accounts and Even Our Freedoms, Rights, Privileges, Traditions, Children, Family and Bodies are Subject to Irreparable Dissolve & Dust in a Twinkling of an Eye. At the End of the Day, when We Look to All We’ve Placed Our Trust and Security, an honest analysis confirms We Are Unable to Control Any Of It, with the exception of Two Things. Herein, I submit that  these are the Only Two Elements onto which Your Entire Life, Career and World could either Soar to the Zenith of Success or Ensure a Lifetime of Scarcity.

Now, I Must Apologize in Advance that in order to properly flesh out my explanation, I will need to interject a bible passage and venture into a few faith based precedents to make my practical points. I realize that I am writing to an audience of various perspectives and belief systems. One may choose to disagree with my method, but I am hopeful that once I’ve concluded, it will be difficult to dismiss my message.

These Two Gifts were bestowed at Birth. Extremely Valuable but Free of Charge. Exceeding the Importance of Organ or Extremity. These Two can Never Ever be Taken Away From Us, Without Taking Our Lives. Nor Can Anyone Force Us to utilize them in any form other than how We ultimately wish to – even if that person has somehow temporarily manipulated us, we still, at anytime can reassert Our Inherent Control. Genetics and Environment obviously Play a Respective Role in helping to condition These Two Properties, but in the majority of circumstances, You & I are endowed with the Absolute Ingredients to attain our Highest and Best.

These Two Components Are Priceless. Their Role Profoundly Shape Our Destinies and are Continual Aids for Advancement. They are a Natural Means  for Progress & Prosperity.  When Used Wisely, they contain the capacity to Improve the Human Condition globally. Not Unlike Everything Else We Steward, these Sacred Assets should be Nurtured and Protected. In fact, to Gain Enormous Advantages, These Resources Must Be Developed, Disciplined and Continually Responsive to Our Demands. Once We have Diligently Mastered the Necessary Training, New Worlds, Possibilities & Blessings Find their way to Our Door.

The Resources to which I refer is Our Minds & Our Mouths. Our Thoughts, Active or Subconscious, contain the Source of All of the Power & Energy Necessary to Totally Transform Our Lives either toward Dominion or Decay. Every Idea, Concept, Intention, Theory, Hypothesis or Inkling has spawned from the Womb of The Mind,  Advancing and Progressing (or diminishing and destroying) Life and the Quality thereof.

Equally, Our Mouths and the Words We Choose to Escape from It can Build Bridges of Prosperity or Forge Alleys of Abjection. Our Words either Embrace or Imprison Opportunity. By Our Conversation, People Instinctively Know How & Where to Classify Us in their Personal or Professional Tiers of Influences. The Healthiest and Hungriest of Us understand the Unique Collaboration of Our Minds & Our Mouths. We attend Our Thoughts, Motives & Attitudes with the Utmost Care. We  Acknowledge the God Given Power of Our Brain as a Hallowed Production Facility. We Schedule Time to Think, Plan, Pray & Create. We Intentionally Reflect, Evaluate and then Implement our Thoughts, Transforming Imagination into Gold. The Most Successful Thinkers form Mastermind Alliances, harnessing the Potential that energizes Multiple Minds in Alignment.

Furthermore, We deliberately Watch Our Words. We Carefully, Tenderly, Thoughtfully Choose Each One. We Focus on Our Tone of Voice, Every Enunciation, the Sequence, Grammar and Flow of Each Word. Everything That Enters Our Brains Does Not Exit Our Mouths. Our Orifice is Our Divine Distribution Center which we Excellently Maintain. With It We Effectively & Efficiently Convey Our Thoughts to Our Loved Ones, Friends, Business Partners or Potential Investors. It Is No Accident that our Vocabulary Expands when we Strengthen Our Minds; Learning, Unlearning & Relearning New Paradigms, Traversing the Unexplored, Growing, Dreaming, Imagining, Inventing. Eagerly, We Expectantly Speak the Invisible into Being, the Future Into the Present, Telling & Not-Telling Those Who Would/Shouldn’t Come Alongside Us for this Amazing Journey toward the Impossible!

This is All We Really Own. This is All We Have. This is All We Need!

Our Incredible Thoughts Can Withstand the Powerful Forces of Doubt, Fear, Worry and the Onslaught of Obstacles which populate like dandelions at the Dawn of a New Idea. Even the harshest physical abuse cannot terrorize a Mind Determined to Prevail. Communicating Purpose Filled, Powerful, Potent, Penetrating Words Declare Life where there is Death, Hope to the Desolate and Calm to Storms. We are Molded, Shaped & Fashioned in the Image of the Almighty God, who Creates & Speaks and Allows, even Challenges Us to Do The Very Same Thing! We Were Created to Gain Dominion Over Our Every Circumstance!

 Read Genesis Chapter One.

My Friend, You Possess & Control The Two Most Powerful Tools on the Planet to Succeed In Life and within the Lives of Those You Love & Serve. Utilize their Greatness to Experience what Countless Others have Failed to Envision. Sharpen Your Mind. Command Your Conversation.

Win!

I was Listening to Jeff Lorber’s “Water Sign” on Vinyl as I wrote this…

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Three C’s To Live By

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One of the Most Rewarding Aspects about Having Good Mentors in Your Life are the Applications You Can Apply Immediately. It Doesn’t Matter if the One You Follow is in Your Industry Or Not. Wisdom is Omnipresent!

Gratefully I’ve been under the Guidance of Bishop David L. Thomas for 13 years.  His Leadership has helped Sharpen & Shape Me in practically every area of my life. I’ve had the most fun implementing his pastoral teachings into my career as an EntreMusician. Several years ago he taught a Series on the ‘Three C’s to Live By’ that continues to impact my perspective, especially as I am around so many creative people. I know these 3 C’s will help you too!

  1. Don’t Compare!

Comparison is akin to a Two-Headed Monster which can actually eat you up from the inside, even though you are outwardly focused upon the talents of others.

First You have that Big Head that says “I Am The Best,” “No One Is Better than I” and You then Begin to Loudly Put Down Other Musicians, Singers, Producers, overly analyzing what or how they destroyed a Song or Project and what YOU would’ve done to blow the thing out of the water. Unfortunately, we’ve all been around people like this and most of us have looked for the quickest exit to either get out of the conversation or leave the room.

The Little Headed Monster is More Subtle, but Equally As Dangerous. He whispers how horrible You are, compared to this or that singer – and all that you are unable to accomplish. She whines that she didn’t go to music school, or can’t afford the $5000 guitar and can never catch a break while her counterparts are soaring. It’s the Ultimate Pity Party that often attracts a room full of crybabies who should otherwise be grateful for the gift they’ve been given, sharpen their skills and grow a pair… of stronger legs to stand on.

      2. Don’t Compete!

Healthy Competition is Great. It is downright Essential In Business and In Sports. There are Myriad of Stories of How Great Recording Artists would strategically either release their records in advance of, or several weeks after a Huge Artist, so they wouldn’t get crushed on the charts which proved to be sound business moves. But there has long been an unhealthy form of competition in the Creative World that seeks to Steal, Kill & Destroy the Hearts & Souls of their fellow Musicians. It’s Downright Hateful and No Self Respecting EM should continue to participate in it or Stand For It.

There are some who use every opportunity to freeze out other musicians – primarily out of envy or brutal ugliness. Some won’t share information, resources or opportunities, preferring to hoard everything. This behavior emanates from a “Lack Mentality.” These Artists don’t understand that there is infinite space in the Entertainment Community and the World is always awaiting the Next New Sound, Look or Experience. True EntreMusicians operate with an ‘Open Hand.’ We Look for ways we can Engage, Encourage & Empower Each Other!

3. Don’t Criticize!

This final behavior is many ways the Vocal Chords of the previous two. The Artist simply MUST make their observations known to anyone who will listen. Interestingly, they become meaner and nastier about their fellow counterparts as the crowd swells. You & I have seen Tweets, FB Live Footage and Instagram posts of horrible and often unwarranted criticism of someone who is either out there doing their absolute best or taking a completely different approach to the muse – only to be hammered for their individuality. Remember Fergie?

Regrettably, I have been around more seasoned musicians who will attend the show of a far lesser known artist and rip apart their performances as if they have always had perfect shows, sing on key or play awesome solos every single night. They rip apart the newbies and feel great about it. These are often the very same performers that find themselves dropped from their labels as soon as their own numbers fall below the anticipated streams/sales. Karma.

Truthfully, there have been several times where I have found myself in each of these three camps. If I were not speaking my position, I was certainly thinking it – and to be completely transparent, I am sure my attitude at the time may have cost me a connection or opportunity to advance. By God’s Grace, I have a more healthy respect for every EntreMusician I encounter, even if I don’t necessarily agree with their viewpoint or values. There is a wealth of maturity in Staying in Your Lane, Improving Your Gift and Sharing the Most Positive Energy You Have the Capacity to Produce!

Don’t Compare, Don’t Compete, Don’t Criticize! (video)

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Overstating the Obvious

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Music is Sacred. 

She embodies a Global Language. She is an Impenetrable Vehicle of Love, Harmony and a Universal Cadence for All Races, Cultures, Faith & Ages.

While Music has been utilized to transport Opposing, even Offensive Ideas, she has more often offered Transformative, Unifying Emotions which have helped Change Laws, Suspend Unhealthy Mores and Transcend Generations.

The Purest Music and the mediums which foster her beauty have overtime become reduced to Mere Commodity, Shadowy Spectacle and Decaying Dogma.

Opinions, Suggestions and Ideas differ, as they must in a Completely Free Society, but Pure Music, Art that Awakens the Mind, Encourages the Spirit and Stimulates the Soul, Inspiring Integrity is at best, rarely created, or at worst, strategically besmirched & buried, forced into obscurity.

Platforms for Salacious Sensationalism Rise above the Rhythms of Inspiration. One’s Image, their Ability to Seduce and in many instances flaunt the notions of Success, Materialism, Murder and Vice incredibly overshadows Every Child who picks up their instrument in wild eyed wonder, merely for the sincere Love of Musicianship.

School Boards routinely abandon Musical Instruction & Appreciation, yet Politicize Personal Agendas, ironically Wrapping their Message in Song. The Biggest Award Shows, Instead of Championing the Absolute Best Music has to Offer, cloak themselves in Social Justice Attire, Preaching a Global Construct of Vilification. Pure Music is Lost in the Conversation.

Ideas are Welcome, All Opinions for the Greater Good of Humanity Must be Honored, but the Sacred Grail of Pure Music Must No Longer be Contaminated by the Creators of a Higher Calling; the Musicians, Chosen to Shine, to Encourage, to Build, to Connect.

If You Are a Creator of Pure Music, Lift Your Voice. Use Your Instrument. LOUD & Strong. For the Sake of the Next Generation. Do Not  Allow Your Artistry to be Mismanaged by those who wish to use it for anything other than Your Flawless Authenticity.

No Matter what they Offer, It’s Not Worth the Price of Your Soul.

I was Not Listening to Any Music while Writing this Post, but I met a Pure EntreMusician, Ron James, busking in Atlanta’s International Airport last night. I bought his killer CD. You Should Too…

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Grounded with Wings (Scene One)

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Every EntreMusician grapples with the dichotomy of continually balancing Our Artistry with Our Business Acumen; Our Creativity with the Disciplines of Commerce. Among these Many Balancing Acts We Perform are the Internal Battles for Fame, Fortune & Prestige as the Flame of Integrity burns just as brightly.

We Note Our Faith, Convictions, Principles & Values Must Remain Pure, Resilient & Uncompromising while Simultaneously Pursuing Innovative Plateaus of Greatness. It’s a Thin Tightrope, especially in an Industry that has most recently Revealed the Underbelly of Scandalous Vice which has help Topple those at the Highest Peaks of Success.

No One is Immune from Temptation in its innumerable forms. The oft quoted “Everybody Has a Price” has been Proven True throughout Generations. Remaining Absolutely Authentic to One’s Artistry in the Face of Pejorative Manipulation has languished the underwhelming careers of literal Geniuses deserving of far, far more.

History is awash with African American Artists who had to ‘Play The Game’ in order to Survive. They smiled in the Face of Bigotry and often played some of the Biggest Venues they were Not Allowed to Eat or Sleep In. It’s A Thin Tightrope, now wrapped around the Necks of a Generation who Take their Clothes Off and Curse their Own just to reach #1.

It’s Decision We All Make as We Climb the Higher Ladder, Peaking Through the Curtain of (Com)Promise. What Do We Give Up as We Go Up? Would We and Should We Write Our Own Rules and Throw Off the Restraints of the Gatekeepers or Do We Climb Aboard the Trifling Train Destined to Take Us Down the Same Tracks of Destruction so many Tabloid Failures have Traveled? It’s a Tightrope…A Thin One.

Less Sales, Smaller Venues, Regional Notoriety, Fewer Streams, Obscure Downloads and Occasional Royalties VS The Opportunity to Look Yourself in the Mirror, Sleep Soundly with No Regrets and Enjoy the Love of a Stable Family who Respects and Cherishes You. This is the Choice of both the Many and the Few who remain Grounded With Wings.

Still in a Huge ‘The Crusaders’ Mode, I have been listening to all of the Vinyl I have on them – Wow!

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Forget The Hit!!

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On & Offline there are No Shortage of Classes, Courses & Conferences which Advise, Train and Teach Formulas & Techniques for Crafting “HIT” Songs that ‘Stand Up’ to Industry Standards! Equally, there is a plethora of AI Software available which analyzes Million Sellers from the past 50 years and Recognizes the Keys, Characteristics, Structural Components and Chord Progressions for us to Copy & Duplicate Our Own Smash!

While Writing a Song that Everyone Loves, Admires, Appreciates and Will Buy in Droves is a Worthy Goal of any Songwriter, You can bet that the Core Motivation of a Smokey Robinson or Dianne Warren wasn’t the Immediate Hit (albeit it became the end result). They were seeking something deeper. Their Aim was Timeless & Transformative Compositions. Often, the Songsmith is Expressing his/her Emotion to just One Person, Bearing their Total Soul, only to discover that their Transparency is Universal.

For the EntreMusician who Writes their Own Material, the Primary Intent Must Be Truth.

Conveying Anything Less and Merely Imitating The Flavor of the Day may Cause a Current Splash, but often Short Circuits the Ripple Effect. Our Goal is to Create an Ardent Cult Following,  A Tribe, A Community or Family that Will Pursue Our Music, Learning Every Lyric and Lick regardless of Airplay or Anonymity.

James Taylor, Carly Simon, Kenny Loggins and Joni Mitchell have all written masterpieces that were never released as singles. Any Loyal Funkateer  sings along loudly to the most obscure PFunk Anthem. The Incredible Frankie Beverly has written some of the most enduring R&B Ballads on the planet for the last 40 years and as of this writing has Never Won a single Grammy! Yet His Legend Looms Large and His Melodies are Bone Deep.

Methodically Build Your Audience and Your Discography. Your Career Will Thank You, Even if It Creeps Along Slower than You’d Like. Treat Every Song Like the Masterpiece It Is. The Endurance You Secure will Sustain You Long After the One Hit Wonders have Vanished into Obscurity. Purpose Your Music to Transcend Generations.

This is Not to Say that as a Serious Composer You Shouldn’t Appropriately Work and Shop Your Songs to the Right Connections, Making Certain Each One  Addresses the Appropriate Level of Appeal – But, Never Mistake Hitmaking with Making a Lasting Impact!

Forget The Hit! Change a Life!

Download My Free E-Book: “50 Engaging Ways to Transform Your Fans into Family” at TheEntreMusician.com

I was listening to Con Funk Shun’sLove Shine” on Vinyl while posting this.

A Great Documentary to Check Out This Month is “Muscle Shoals

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30 Proven Psychological Prefixes for Producing Your 1st (or 1001st) Band

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EntreMusician’s Note: These Tips Apply ONLY to Producing Bands Other than You Own (which are fraught with their own set of zany fortuities!) Equally, This Advice May Not Work on Singers who happen to Be Solo Artists. Countless Articles have been written on Producing Up & Coming Divas; None of Which are in Agreement…These have been written to Prepare Yourself Adequately Before the Project Begins!

  1. Pray or Drink Heavily Beforehand (According to Your System of Faith)
  2. Only Talk to The Leader(s) of The Band to Decipher & Determine Goals 
  3. Do a Thorough Inventory of The Band’s Gear
  4. Know Your Own Gear Inside and Out
  5. Prepare a Flowchart of Microphones You’ll Need for the Sessions
  6. Own / Upgrade to The Most Quality Pre Amp You Can Afford
  7. Get a Non-Refundable Deposit
  8. Spend Several Days Listening to The Band’s Demos (If They Exist)
  9. See Them Perform Live
  10. Look For The Real Leader of The Band as You Witness Power Struggles
  11. Spend a Pre-Production Day Getting Great, Natural Drum Sounds
  12. Go Do Likewise with the Bassist
  13. Prepare Comprehensive Track Sheets for the Entire Session
  14. Determine the Emotional / Mental Stability of the Lead Singer and Massage It
  15. Review Your Written Production Agreement. Keep It Handy
  16. Never, Ever Use Cheap Chords
  17. Discover The Weakest Players (They’ll Be Easy To Spot Even Before Picking Up Their Axe) And Loudly Encourage Them in Front of the Others
  18. Rehearse The Band for Three Days to Get Sketch Recordings. Keep Them, You May Need to Use Them Later for Almost Anything…
  19. Help The Guitarist Decide Which Four (4) of the 27 Guitars Brought to the Session will Actually Be Necessary
  20. Create EQ & Compression Presets for Each Instrument & Vocalist
  21. Talk With The Real Band Leader and the Person You Originally Talked To and Make Sure The $$$ is Secure
  22. Learn Several Techniques that Keep Bass Players Calm and Apply Them Accordingly
  23. Vacuum Your Studio Before & After Each Session
  24. Do More Praying (or Drinking), but Not In Front of The Band
  25. Keep Your Harmonizer / Auto Tuner Ready and Active At All Times
  26. Discuss Music Theory Often with The Keyboardist in Front of the Drummer (It Makes Them Hyper Sensitive and they Play Better) 
  27. Make Sure Your Fire Extinguisher(s) Work
  28. Keep Your Hard Drives De-fragged and Uncluttered
  29. Hone Your Mediation Skills between the Real Leader and the Person You Originally Talked To When They Begin to Argue Over Absolutely Everything, Including Who Will Pay You
  30. Make Plenty of Back Ups

I was listening to “Underneath The Colours” by INXS on Vinyl while posting this 

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5 Mechanisms Which Make Mountains Out of Molehills

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Producers are Often Tasked with The Challenge of Sculpting Masterpieces Out of Minimal Talent. It’s Just the Truth. 

Often, Clients Approach You with Visions of Grandeur and Projects of Epic Proportions, but What they Actually Bring to The Table in Terms of Creativity, Skill and Experience Usually Pales in Comparison. The Contention is Amplified When the Blessed Souls Possess The Monies to Pay. In Cash. You Definitely Want to Pay The Bills, But Your Name & Rep are On The Line If You Don’t Provide Them the Record They Already Hear in Their Heads.

Sure, there is a Plethora of Technology that will Smash a Vocal into the Right Notes and Nudge the Drums into a Perfect Time Signature, but No Amount of Convolution Reverb, Compression or Wacky, Bounced Delay is Going to Compensate for a Lackluster Performance.

And it’s ALWAYS Going to Be YOUR Fault when You Playback the Take. Many Singers have Only Heard their Vocals in the Shower, Car or Garage with the Rest of their Band through Loud, Over Equalized PA Systems that Have Not Told Them the Truth. So When Your U-87 Unmercifully Reveals the Flaws and Cankers in their Nasally Throat, Prepare For War!

Many a Producer Friends I Know Cram Psychiatry on the Side, Ready to Soothe the Savages, but a Few of Us have Learned a Five Principles to Employ Prior to Pressing Record.

1. Find the Gold in the Dirt

Believe Me, It’s in There and Not So Hard to Locate, if You Know Where to Look. The Way a Word is Enunciated or a String is Unscrupulously Plucked or the Way the Drummer Smacks Her Hi-Hat Every Fifth Beat Can be Transformed into Some Interesting Accents.

2. Strip It Down

Help Your Artist Dial Down the Notions of a 72 Piece Orchestra Until They’ve Tapped into the Techniques that Make their Tunes Tick. Spend Three Days Alone with the Main Instrumentalist / Vocalist Recording & Re-Recording Their Arrangements so You Can:

a) Allow Them to Get Used to Focusing on Their Own Playing & Parts and to

b) Begin Building the Song Around Their Foundation.
3. Refuse to Baby Them

Holding a Guitarist’s hand through a Take is One Thing. Nursing them is Quite Another.

Don’t Take Attitude or Temper Tantrums Lightly. There is No Amount of Money You Can Pay Me to Eat Someone’s Crap.

Their Deposit, Minus Time Spent is Always at the Ready to Return. The Producer has been Hired to Lead the Process and Often Lives It Well After the Session is Finished. If You are in a Business where You are Recording Two or More Different Clients / Bands in One Day, You Don’t Need One Prima Dona’s Debilitated Dysfunction to leak into Your Next Session.

Worse is when You return to Mix, you’ll often find that the Messy Mood was Recorded and Can’t be Edited Out… My Ace Engineer & Friend Jerry Thompson Once Encountered a Beautiful Songbird who Sang Exquisitely, Destined to be a Future Star, but Displayed such Snotty, Condescending Behavior, We Promised God and Each Other We’d Never Work with Her Again and Haven’t.
4. Pull Out All The Stops 

It’s Highly Probable that This Session Reveals that the Challenge is Focused as Much on You As it is On Your Client. This is the Zone where You, Yourself Must Stand and Deliver. How Creative Are You? Are You Able to Massage that Subpar Bass line into a Grooving Pocket or Nudge those Nervous Sax Noodles into Ferocious Roars!

You Have The Power, Mr. & Mrs. Producer, of Patience, Persuasion & Perseverance. Remember, You’re Always Beginning with a Blank Canvas. Your Unique, Steadfast Ability to Build upon the Blocks Given You is the Real Magic that Turns Songs into Standards.

5. Always Tell The Truth 

Sometimes, The Musicians, Singers or the Song Just Does Not Cut It and there is Nothing You Can Do. Recognize It and Bow Out on the Front End. If Asked, Provide Your Expertise with Grace & Truth as to Why The Project Won’t Work. Unless You Like Making Enemies, Don’t Recommend Them to the Producer Across Town. Give Them a Timeline in which They May Be Able to Return and Try Again and Then Shake Hands and Walk Away. They Will Grow to Respect You For Your Honesty and in many cases will become Better at their Craft If Only to Prove You Wrong, which is Still a Very Good Thing!

I Was Not Listening to Any Music as I Composed This Blog. I Wish to Dedicate It to The Memory of My Dear First Cousin, Lori Jean White, who Passed Away Peacefully Last Night…Sleep on Sis!

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EMOTIONAL PRODUCTION

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The Approach to Music Production is just as Multidimensional as the stars in the heavens.

As I leaf through Rick Clark‘s over sized Mixing, Recording and Producing Techniques of the Pros,” it’s fascinating to explore the psyche of these Masterminds and Gauge their Approach. Obviously as One Not Yet Included in such a Stellar Institution of Greatness, albeit hopeful, I am Grateful for Every Opportunity to Produce Outstanding Songs by Serious Artists of Various Genre.

At the Genesis of Every Session, the Fundamental Framework I Build Upon is the Emotional Journey the Listener will traverse as the Song is Played. My Goal is ALWAYS to Reproduce the Exact Feelings of Joy, Anger, Sadness, Betrayal, Devotion, Militancy, Encouragement, Strength, Remorse, Warmth or Flavor the Songwriter(s) Intended to Convey. One Million Repeated Listenings of the Recording Must Evoke these Same Emotions, or I Have Failed, whether the song Sells One or One Hundred Thousand Copies.

I Perceive My Position in the Studio as Tour Guide, Ushering the Musicians, Arrangers, Vocalists & Engineers through an Expedition of Finding Moments. Every Chosen Person, Instrument, Sound, Note, Effect & Ambience will lend itself to the Nuance of Multiple Moments, Creating Symbiotic Memories that Outlast Lifetimes. Those are the Snapshots that Take Your Breath Away and Force You to Immediately Rewind the Song or a Section of the Tune to Allow Your Brain to Process What Your Heart Just Heard and then Begin Again.

Perhaps I am being melodramatic in My Interpretation, but I Offer No Apologies. Often Before Discussing DAWs, Plug Ins, Mic Techniques, Mixing & Mastering and the Usual Banter with Various Producers, I am Always Most Interested in the Range of Emotion sought after and how they wished to reveal them, even (especially) if they’ve chosen some Non Traditional or Outdated Means to Do So. In Berry Gordy‘s autobiography “To Be Loved,” he talks about how the Classic Motown Producers used to sit around the table and Vote On the Upcoming Release. Mr. Gordy stated the Main Question asked would be ‘If You Were Starving and Only Had Enough Money to By a Sandwich or This Record, What Would You Do? If the Vote was for the Song, They’d Release It! Hence the Company’s Enduring Legacy.

David Byrne confesses in his book “How Music Works” what most Producers already know. A “Tight” Recording or Performance has Nothing to do with Meter. It has Everything to do with The Groove! Singing or Playing in Front of or Behind the Beat or Harnessing a Vibe as Sloppy as Gravy Foaming Down a Mountain of Mashed Potatoes Feels as Wondrous as Classically Trained Precision if You’ve Channeled the Proper Emotions.

God Bless the Sacredness of Music Production and the Solace of a 3AM Session where the Sweat is Soaking Through the Walls…

Here are a Few Examples of Moments I’m Blessed to Have Captured:

Hermeneutics (SounDoctrine feat. Keith McKelley, Cliff Barnes, Derek Dixie & Paul Douds)

Meant2B (SounDoctrine feat. Keith McKelley, Stefano and Jazmine)

Source (SounDoctrine feat. Michaela Write)

Maranatha (SounDoctrine feat. John Thomas)

Stop On By (SounDoctrine feat. Eric Tyus)

I was Listening to “Elegant Gypsy” by Al Di Meola on Vinyl while composing this blog…full of Multiple Moments!

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The ONE Thing…

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Much Love and Many Prayers to the Victims and Families who Lost Loved Ones in the Senseless Las Vegas Tragedy. My Heart Goes Out to All.

During September, we discussed Four Avenues EntreMusicians are able to Journey and Advance through simply by Applying Ourselves and Owning the Occasion. Just BE!

My Focus Today is to Zero In on the Truth that the Most Successful EMs, once Defining & Honing their Niche, Strengthen their Artistry by Building a Brand on One Singular Component. Just because we possess the capacity to perform 20 tasks simultaneously does not mean we should. Nor should we attempt to be known for more than One Great Consistency (think Michael Jordan in Pro Baseball), unless our Multifarious Talent IS The Brand (Think Prince).

Develop & Grow Your Specific with Eagle Eye Precision & Dedication as It will be that One Thing that People will Remember You for after you’ve left Our Planet. If for some reason folk should Remember You for Two or More Qualities, it’s most likely because they are corresponding, like “Husband & Father,” “Scientist & Researcher” or…”Multi-Instrumentalist.”

I Constantly Ask Myself if I Am a Composer // Music Producer // Drummer // Booking Agent // Manager // Actor // Event Coordinator // Publisher,  all the while maintaining my identity as Jesus Follower // Lori’s Husband // Father of Three Daughters // Pastor // Bible Teacher.

My Personal Identity aside, I Am Foremost a Music Producer. As an EntreMusician, this is the One Area I Continue to Maturate. Constantly Working with Extremely Talented Songwriters, Arrangers, Vocalists, Musicians, Artists, DJs, Engineers and Technicians Provide Me Exceptional Outlets to Experiment & Improve My Game. Interestingly, I Live & Think as a Music Producer in Every Area of My Life, especially as a Pastor – but that’s another blog…

What About You? What’s the ONE THING You Work At Harder than Any Other and Wouldn’t Mind Being Remembered For?

I was listening to Dave Grusin & Lee Ritenour‘s Exceptional “Harlequin” on Vinyl while composing this post.    

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BE The Publisher

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To Finalize Our Month of “BEING,” in which EntreMusicians can take advantage of a few of the Wonderful Opportunities which await those with Initiative, we’ll end September in a space that I cherish the most .

I have been passionate about Music Publishing since the eighth grade. I was the kid who read all of the liner notes on the album. I learned the Record Label Names, Executives, A&R Personnel, Where the Album was Recorded, Mixed, Mastered – Who the Engineers were, Producers, Arrangers, Session Players – Who the Songwriters were and then… Publishing? ASCAP, BMI, SESAC? What does this all mean?

I started reading. I went to the library and borrowed “Making It With Music” by Kenny Rogers and Len Epand. I didn’t return it. For the first time I heard and realized that the Song is the Most Important Instrument in Music and the Person(s) who Owned/Controlled the Song’s Publishing will be the Most Important Instrumentalist(s) overtime.

Upon further investigation, I found that the Term (Lifespan) of the Copyright lasts 70 years after the Death of the Composer(s) – or up to 120 years in certain situations.

Further along, I heard the incredible Horror Stories of the Thousands or more Songwriters who were completely skewered out of their Publishing Ownership, Royalties or Both, ignorantly traded for the Price of Fame, a Shiny Cadillac or even a House, while the Publisher went on to earn Millions. To add greater injury, I learned that although Tin Pan Alley may have started as a true collaboration between Songwriters & Publishers, many of the Corporate Conglomerates who Took Over Music and Earn The Most, by far, are Attorneys – some who can’t even whistle in key or snap their fingers on beat. Remember Paul McCartney of All People only recently began owning the rights to his music, having to BUY It Back!

I determined early on that more important than practicing my drums (which I do regret to some extent) that I would become a Student of Publishing, Start My Own Companies and Keep All that I could. I would Never, Ever sign away ALL of it, no matter how much moola I was offered, unless it was purchased outright. Overtime I saw how Technology alters the Art & Nuance of Publishing and that I Need to Pay Attention Often. It’s like being married!

Before I recommend that You BE Your Own Publisher (and I strongly suggest you do), I must admit that there are some very reputable publishers out there. All of them are Not Snakes, but You Need to Do Your Homework and Triple Check It Before Signing. Publishing is Extremely Difficult Work and since Your Territory IS The World, having a Strong Sub-Publisher Looking Out for Your International Affairs is Vital. Since Publishing can easily become a full time job, provided You’ve Got a few Songs shaking on Radio, TV and/or Film, You should Employ a Loyal, Committed Team who can Advise and Monitor the Very Best Deals for Your Career.

Remember, Your Number One Goal is to Help Your Song Continue Earning Money for You, Even Years After You Write/Release It. You Want Your Songs to Reap Royalties for Your Family and Your Estate when You Can No Longer Pick Up Your Drum Sticks. Publishing is a Space where “Exploitation” of Your Work is a Very Good Thing – So Having Multiple Artists in Multiple Genres Record Your Songs is a the Lifeblood of Your Team. Think PrinceStevie and for crying out loud, Think Diane Warren!

I’m blessed to be entrusted with publishing songs for several songwriters in my area. It’s a Trust that I Hold Sacred and Dear. I Preach Publishing and Make Sure They Know As Much as I Do about this Business and the Activity of their Music. Our Terms and Conditions are Beyond Fair, meant to Lease and Not Own, so that All Ownership and Control is safely reverted back to them. I haven’t made nearly as much in publishing as I’d like to – YET! But there’s always that Next Project, TV Commercial, Indie Film or Up & Coming Artist that keeps us Alert and Hustling!

Go and Do Likewise!

By The Way, If You Happen to be reading this Today, Thursday 9/28, Join Me with Trish Hennessey on Hybrid Jazz, where we will be discussing our Entire September “BE” Series and Celebrating the Humanitarian efforts of EntreMusicians in light of the recent Hurricanes! You can also Listen to the Archives!

I’ve been in an intense Azymuth mode lately. I’m listening to their “Outubro” on vinyl as I post this.

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